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Nathanael J. Andrade

Researcher at Binghamton University

Publications -  8
Citations -  151

Nathanael J. Andrade is an academic researcher from Binghamton University. The author has contributed to research in topics: Divinity & Late Antiquity. The author has an hindex of 4, co-authored 6 publications receiving 128 citations. Previous affiliations of Nathanael J. Andrade include University of Oregon.

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Syrian Identity in the Greco-Roman World

TL;DR: The authors examines how inhabitants of Roman imperial Syria reinvented expressions and experiences of Greek, Roman and Syrian identification, and demonstrates how the organization of Greek communities and a peer polity network extending citizenship to ethnic Syrians generated new semiotic frameworks for the performance of Greekness and Syrianness.
Book

The Journey of Christianity to India in Late Antiquity : Networks and the Movement of Culture

TL;DR: The authors examined the social networks that connected the ancient and late antique Mediterranean to the Indian Ocean, central Asia, and Iran, and analyzed how the narrative tradition regarding the apostle Judas Thomas, which originated in Upper Mesopotamia and accredited him with evangelizing India, traveled among social networks of an interconnected late antique world.
Journal ArticleDOI

Bardaisan of Edessa and memories of Christian persecution in the Near East

TL;DR: According to Eusebius, the famous Edessene thinker Bardaisan wrote his work On Fate in a time of persecution and addressed it to a figure named Antoninus (HE 4.30) as mentioned in this paper.
Journal ArticleDOI

Facing Palmyra's past and its funerary portraits - ANDREAS KROPP and RUBINA RAJA (edd.), THE WORLD OF PALMYRA (Palmyrene Studies vol. I; Royal Danish Academy of Sciences and Letters; Scientia Danica Series H, Humanistica, 4, vol. 6; Copenhagen 2016). Pp. 246, many figs., including colour. ISSN 1904-5506; ISBN 978-87-7304-397-4. 220 DKK.

TL;DR: The Palmyra Portrait Project as discussed by the authors is the first complete digital database of Palmyrene portraits and sculptures, which will become a vital point of reference and even a living collection of works now destroyed or vanished.