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Cognition In The Wild

Gilles Fauconnier & Mark Turner, " The way we think: conceptual blending and the mind's hidden complexities"

The Creative Mind: Myths and Mechanisms.

Wiebe E Bijker, Thomas P Hughes and Trevor Pinch (eds) 1987 London: MIT x + 405 pp price £29.95 ISBN 0 262 02262 1 Science and technology have come under scrutiny from several social science perspectives. Historians, philosophers, economists and sociologists have all made their contribution.

https://iopscience.iop.org/article/10.1088/0031-9112/39/8/019/pdf

The Social Construction of Technological Systems: New Directions in the Sociology and History of Technology

Creative cognition is one inherent aspect of human cognition. From the perspective of cognition target, creative cognition aims at new problems and issues. From the angle of the subject, only those who are endowed with creative capability, i.e. creative subjects, could undertake creative activities. Creative cognition is a unique cognitive activity in terms of which human beings explore the unknown fields, with the property of creativity, thus differing from the normal, routine ways of thinking.

On Creative Cognition

This paper reports on the design and evaluation of a co-creative drawing partner called the Drawing Apprentice, which was designed to improvise and collaborate on abstract sketches with users in real time. The system qualifies as a new genre of creative technologies termed "casual creators" that are meant to creatively engage users and provide enjoyable creative experiences rather than necessarily helping users make a higher quality creative product. We introduce the conceptual framework of participatory sense-making and describe how it can help model and understand open-ended collaboration. We report the results of a user study comparing human-human collaboration to human-computer collaboration using the Drawing Apprentice system. Based on insights from the user study, we present a set of design recommendations for co-creative agents.

https://dl.acm.org/doi/pdf/10.1145/2856767.2856795

Empirically Studying Participatory Sense-Making in Abstract Drawing with a Co-Creative Cognitive Agent

The Fourth Industrial Revolution: Shaping a New Era

The modern landscape of computing has rapidly evolved with breakthroughs in new input modalities and interaction designs, but the fundamental model of humans giving commands to computers is still largely dominant. A small but growing number of projects in the computational creativity field are beginning to study and build creative computers that are able to collaborate with human users as partners by simulating, to various degrees, the collaboration that naturally occurs between humans in creative domains (Biles, Leonardo, 36:43–45, 2003; Lubart, Int J Hum Comput Stud, 63:365–369, 2005; Hoffman and Weinberg, Shimon: an interactive improvisational robotic marimba player. In: CHI’10 extended abstracts on human factors in computing systems, ACM, New York, pp 3097–3102, 2010; Zook et al., Understanding human creativity for computational play. In: 8th ACM conference on creativity and cognition, 2011; Davis et al., Building artistic computer colleagues with an enactive model of creativity, 2014). If this endeavor proves successful, the implications for HCI and the field of computing in general could be significant. Creative computers could understand and work alongside humans in a new hybrid form of human-computer co-creativity that could inspire, motivate, and perhaps even teach creativity to human users through collaboration.

An Enactive Model of Creativity for Computational Collaboration and Co-creation

The large empirical literature on the relationship between Foreign Direct Investment (FDI) and economic growth has produced mixed results. Despite the ambiguous evidence on the benefits of FDI, investment promotion has become an active area of policy and a growing number of nations are offering services and incentives to attract investment by multinational firms. Rather than assessing whether the costs of investment promotion are justified by the potential benefits of FDI, this paper asks a prior question which is relevant to the policy debate. We investigate whether national investment promotion activities succeed in increasing the volume of inward investment or whether this expenditure merely subsidises investments which would have occurred in its absence. We use a widespread but under acknowledged feature of investment promotion practice to test the effectiveness of investment promotion at the industry level. We find that a positive effect of investment promotion on FDI inflows is robust across various empirical specifications.

Does Investment Promotion Work

This paper describes a thesis exploring how computer programs can collaborate as equals in the artistic creative process. The proposed system, CoCo Sketch, encodes some rudimentary stylistic rules of abstract sketching and music theory to contribute supplemental lines and music while the user sketches. We describe a three-part research method that includes defining rudimentary stylistic rules for abstract line drawing, exploring the interaction design for artistic improvisation with a computer, and evaluating how CoCo Sketch affects the artistic creative process. We report on the initial results of early investigations into artistic style that describe cognitive, perceptual, and behavioral processes used in abstract artists making.

Nicholas Davis

Papers

Empirically Studying Participatory Sense-Making in Abstract Drawing with a Co-Creative Cognitive Agent

The Fourth Industrial Revolution: Shaping a New Era

An Enactive Model of Creativity for Computational Collaboration and Co-creation

Does Investment Promotion Work

Human-Computer Co-Creativity: Blending Human and Computational Creativity