Part I. Experimental Studies: 2. Experiment in psychology 3. Experiments on perceiving III Experiments on imaging 4-8. Experiments on remembering: (a) The method of description (b) The method of repeated reproduction (c) The method of picture writing (d) The method of serial reproduction (e) The method of serial reproduction picture material 9. Perceiving, recognizing, remembering 10. A theory of remembering 11. Images and their functions 12. Meaning Part II. Remembering as a Study in Social Psychology: 13. Social psychology 14. Social psychology and the matter of recall 15. Social psychology and the manner of recall 16. Conventionalism 17. The notion of a collective unconscious 18. The basis of social recall 19. A summary and some conclusions.

Remembering. A Study in Experimental and Social Psychology, Cambridge (University Press) 1964.

http://science.sciencemag.org/content/sci/201/4359/899.2.full.pdf

Phenomenology of perception.

The tourist: A new theory of the leisure class.

The Predicament of Culture: Twentieth- Century Ethnography, Literature, and Art

Europe and the People without History

Cultural landscapes in the 21st century

This article explores the cultural construction of death and revival in Cornwall. In examining the ways in which these issues intertwine with the affirmation of local landscape identities, it surmi...

Landscaping Death: Resting Places for Cornish Identity

Contents: Preamble Foreword: 'dA(c)ranger les sens' Introduction a " fearless theorising Poetic experience, literary encounters An auto-ethnography of adventurous innovation Risk, rescue and recreation Through seascape and sewer a " shallow green to full brown Re-materialising liminal objects Eclipsing reason a " ritualising hazards Conclusion: landscaping leisure and the accelerated flA neur References Index.

Extreme Landscapes of Leisure: Not a Hap-Hazardous Sport

Alienation, dependence, fear, sociability, protest, time and mobility – these are all hitch-hiking themes. This paper questions how breaks of convention, such as those which exist in hitching a lift, impact upon the sensing of place and the encounter with road-scapes. As a method of travel, hitching ruptures normative journeys, whereby destinations are no longer extensions of the present. Hitchers act on a compelling need to move in an intensely free yet highly constrained manner; to seek heights of physical and mental experience and to do so as if travel, perhaps even life itself, were fleeting opportunities. Roads, vehicles and bequested transport are part of that opportunity. Impressionistically inspired, this paper explores some of Britain's cultural narratives of hitch-hiking. Through descriptions which are largely auto-ethnographic in character, it considers a number of poetic and political themes related to the alternative modalities of experience involved in thumbing a ride.

Why did the Anthropologist Cross the Road? Hitch-Hiking as a Stochastic Modality of Travel

Activities to do with the coastline and the aquatic environment such as fishing, boating and seaside holidays have been mainstays of the Cornish peninsula for generations. Building on this legacy of marine leisure, this paper explores both the fluidity and materiality of waves, tides and coastal seascapes through a metaphorical framework encompassing symbolic as well as literal issues of pollution and embodiment. It examines Cornwall's distinct surf culture with regard to concerns over the effects of sewage and other malignant discharges on public health and the quality of the seashore environment. Extreme water sports are an increasingly prominent factor in the formulation of Cornish identity. Hence, the paper outlines the ways in which certain environmental pressure groups, charity campaigners and corporate surf companies have become involved in attempts to safeguard the ecological sustainability of coastal leisure pursuits. It does so primarily through ethnographic case studies concerning Surfers Against Sewage, protest-art exhibitions and environmental campaigns. On the surface, the symbolism of fluidity and pollution may appear contradictory. But through an exploration of the materiality of waves, this paper illustrates the dialectical ways in which water and the sea relate to shifting local identities and to creative forms of extreme subversion.

Patrick Laviolette

Papers

Cultural landscapes in the 21st century

Landscaping Death: Resting Places for Cornish Identity

Extreme Landscapes of Leisure: Not a Hap-Hazardous Sport

Why did the Anthropologist Cross the Road? Hitch-Hiking as a Stochastic Modality of Travel

Green and Extreme: Free-Flowing Through Seascape and Sewer