AA Archivo Agustiniano AAz Anales Azorinianos AC Anales Cervantinos ACal Analecta Calasancia (Salamanca) ACCP Arquivos do Centro Cultural Português ActaM Acta Musicologica ADD American Doctoral Dissertations ADEE Aportación Documental para la Erudición Española AEA Anuario de Estudios Americanos (Seville) AEAtl Anuario de Estudios Atlánticos AEF Anuario de Estudios Filológicos AF Anuario de Filología AFA Archivo de Filología Aragonesa AFLFUB Annali della Facoltà di Lettere e Filosofia dell’Università degli Studi di Bari AFLM Annali della Facoltà di Filosofia e Lettere dell’Università di Milano AFLN Annali della Facoltà di Lettere e Filosofia dell’Universitá di Napoli AH Archivo Hispalense AHDE Anuario de Historia del Derecho Español AIEM Anales del Instituto de Estudios Madrileños AIUO Annali dell’Istituto Universitario Orientale. Sezione Romanza AJHCS Arizona Journal of Hispanic Cultural Studies ALE Anales de Literatura Española ALV Anuario Lope de Vega AMu Anuario Musical (Barcelona) Anthropos Anthropos. Boletín de Información y Documentación ASELGC Anuario de la Sociedad Española de Literatura General y Comparada ASLM Académie de Sciences et Lettres de Montpellier AttiRI Atti del Real Istituto Veneto di Scienze, Lettere ed Arti AUH Anales de la Universidad Hispalense (Sevilla) AUM Anales de la Universidad de Madrid AyL Arte y Literatura

The eighteenth-century theatre in Spain: a bibliography of criticism and documentation

Jusepe de Ribera's artistic identity and self-fashioning in early modern Italy and Spain

This article examines the controversial fashion of veiling in the early modern Spanish world. Working across the media of art, literature, and the law, it explores the intersecting ways in which moralists, legislators, playwrights, painters, and poets constructed the figure of the veiled lady ( tapada ) as a social type at once alluring and deeply unsettling. We provide an explanation of the terminology and taxonomy of veiling, with illustrations to show the various styles of face-covering popular in early modern Spain. We then argue that this fashion and the controversy—as well as the entertainment—it generated were closely tied to Spain’s rise as an imperial power, especially to the new forms of urbanism that developed in the ancient city of Seville and the much younger capitals of Madrid and Lima. As these rapidly expanding cities offered their inhabitants new spaces of social interaction and new possibilities for social mobility, wealth, and consumerism, their changing urban landscapes and complex demographics also generated anxieties of failure and deception. Cultural concerns regarding religious practice, the regulation of domestic and public space, and racial and class distinctions coalesced around the figure of the tapada . Seductive, mysterious, and rebellious, she absorbed the fantasies and fears of urban life in three of the most dynamic cities of imperial Spain.

The Veiled Ladies of the Early Modern Spanish World: Seduction and Scandal in Seville, Madrid, and Lima

"New Books across the Disciplines" is a bibliographic resource that facili- tates a cross-disciplinary survey of recent publications. Its scope ranges from late antiquity to the seventeenth century. Coverage is comprehensive for the large majority of North American and British publishers. Other European titles are included whenever received. Books are classified under variable topical headings and listed alphabetically by author's name. Entries include complete bibliographical data and annotations. Unless designated for paper- back editions, prices given are for cloth editions. For paperback reprint edi- tions, original publication dates are given in parentheses. With few excep- tions, books appearing here have been published within the previous two years. Many will be listed here before they are ordered and shelved by libraries.

New Books across the Disciplines

Returning to Spain after fighting in the Battle of Lepanto and other Mediterranean campaigns against the Turks, the soldier Miguel de Cervantes was captured by Barbary pirates and taken captive to Algiers. The five years he spent in the Algerian bagnios or prison-houses (1575-1580) made an indelible impression on his works. From the first plays and narratives written after his release to his posthumous novel, the story of Cervantes's traumatic experience continuously speaks through his writings. This text offers a comprehensive view of his life as a slave and, particularly, of the lingering effects this traumatic experience had on his literary production.

Cervantes in Algiers: A Captive's Tale

Papel. - Articulo publicado en El Norte de Castilla (Valladolid). - Procedencia: fondo Miguel de Unamuno. - Conservacion: Buena.

La Vida es Sueño

La vida es sueno

El Alcalde de Zalamea narra el drama que se vivio en esa localidad pacense cuando en 1580 llega el ejercito de Felipe II al mando del capitan Alvaro de Ataide para raptar y violar a la hija de su regidor, Pedro Crespo un rico labrador viudo y con dos hijos que tiene que acoger en su casa a un capitan de las tropas reales que esta de paso camino de Portugal. Al conocido grito de Al Rey la hacienda y la vida se le ha de dar, pero el honor es patrimonio del alma y el alma solo es de Dios, Pedro Crespo decide hacer justicia mientras el pueblo se alza en armas contra los soldados. El Alcalde de Zalamea es una obra del pueblo, con la que Calderon de la Barca hace un pronunciamiento en defensa de esa gente que lucha por la justicia y la libertad, denunciando los abusos de ese ejercito contra una poblacion indefensa. Poderosos contra debiles, algo plena de actualidad. Un texto que es una reflexion sobre la vida, sobre el hombre y sus valores. Un magnifica propuesta teatral del Siglo de Oro con Carmelo Gomez como protagonista, que junto a diecisiete interpretes mas, dan forma a este Alcalde de Zalamea convirtiendolo en modelo de humanidad y valores, donde el honor y la dignidad se conjuran frente a los poderosos. El Alcalde de Zalamea

Pedro Calderón de la Barca

Papers

La Vida es Sueño

La vida es sueno

El alcalde de Zalamea

Calderón y la crítica: Historia y antología

El gran teatro del mundo