THE 1724 FRONTISPIECE of Father Lafitau's Moeurs des sauvages ameriquains portrays the ethnographer as a young woman sitting at a writing table amidst artifacts from the New World and from classical Greece and Egypt. The author is accompanied by two cherubs who assist in the task of comparison and by the bearded figure of Time who points toward a tableau representing the ultimate source of the truths issuing from the writer's pen. The image toward which the young woman lifts her gaze is a bank of clouds where Adam, Eve and the serpent appear. Above them stand the redeemed man and woman of the Apocalypse on either side of a radiant triangle bearing the Hebrew script for Yahweh. The frontispiece for Malinowski's Argonauts of the Western Pacific is a photograph with the caption "A Ceremonial Act of the Kula." A shell necklace is being offered to a Trobriand chief who stands at the door of his dwelling. Behind the man presenting the necklace is a row of six bowing youths, one of them sounding a conch. All the figures stand in profile, their attention apparently concentrated on the rite of exchange, a real event of Melanesian life. But on closer inspection one of the bowing Trobrianders may be seen to be looking at the camera. Lafitau's allegory is the less familiar: his author transcribes rather than originates. Unlike Malinowski's photo, the engraving makes no reference to ethnographic experience-despite Lafitau's five years of research among the Mohawks, research that has earned him a respected place among the fieldworkers of any generation. His account is presented not as the product of first-hand observation but of writing, in a crowded workshop. The frontispiece from Argonauts, like all photographs, asserts presence, that of the scene before the lens. But it suggests also another presence-the ethnographer actively composing this fragment of Trobriand reality. Kula exchange, the subject of Malinowski's book, has been made perfectly visible, centered in the perceptual frame. And a participant's glance redirects our attention to the observational standpoint we share, as readers, with the ethnographer and his camera. The predominant mode of modern fieldwork authority is signaled: "You are there, because I was there." The present essay traces the formation and breakup of this authority in twentieth century social anthropology. It is not a complete account, nor is it based on a fully realized theory of ethnographic interpretation and textuality.1 Such a theory's contours are problematic, since the activity of cross cultural representation is now more than usually in question. The present predicament is linked to the breakup and redistribution of colonial power in the decades after 1950 and to the echoes of

On Ethnographic Authority

This revised edition makes Finnegan’s ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language” and drama, and an overview of the social, linguistic and historical background of oral literature in Africa.

This volume is complemented by original recordings of stories and songs from the Limba country (Sierra Leone), collected by Finnegan during her fieldwork in the late 1960s,

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Oral literature in Africa

In Part I of this paper, I pushed as far as it would go the thesis that important continuities link the religious thinking of traditional Africa and the theoretical thinking of the modern West. I showed how this view helps us to make sense of many otherwise puzzling features of traditional religious thinking. I also showed how it helps us to avoid certain rather troublesome red herrings which lie across the path towards understanding the crucial differences between the traditional and the scientific outlook.

https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0001972000031661

African Traditional Thought and Western Science

Successor to Claude Levi-Strauss at the College de France, Philippe Descola has become one of the most important anthropologists working today, and Beyond Nature and Culture has been a major influence in European intellectual life since its French publication in 2005. Here, finally, it is brought to English-language readers. At its heart is a question central to both anthropology and philosophy: what is the relationship between nature and culture? Culture - as a collective human making, of art, language, and so forth - is often seen as essentially different than nature, which is portrayed as a collective of the nonhuman world, of plants, animals, geology, and natural forces. Descola shows this essential difference to be, however, not only a specifically Western notion, but also a very recent one. Drawing on ethnographic examples from around the world and theoretical understandings from cognitive science, structural analysis, and phenomenology, he formulates a sophisticated new framework, the "four ontologies" - animism, totemism, naturalism, and analogism - to account for all the ways we relate ourselves to nature. By thinking beyond nature and culture as a simple dichotomy, Descola offers nothing short of a fundamental reformulation by which anthropologists and philosophers can see the world afresh.

/pdf/beyond-nature-and-culture-4yakeshn06.pdf

Beyond Nature and Culture

Our understanding of the psychosocial and cultural dimensions of disease and illness is limited not merely by a lack of empirical knowledge but also by an inadequate medical semantics. The empiricist theories of medical language commonly employed both by comparative ethnosemantic studies and by medical theory are unable to account for the integration of illness and the language of high medical traditions into distinctive social and symbolic contexts. A semantic network analysis conceives the meaning of illness categories to be constituted not primarily as an ostensive relationship between signs and natural disease entities but as a ‘syndrome’ of symbols and experiences which typically ‘run together’ for the members of a society. Such analysis dirests our attention to the patterns of associations which provide meaning to elements of a medical lexicon and to the constitution of that meaning through the use of medical discourse to articulate distinctive configurations of social stress and to negotiate relief for the sufferer. This paper provides a critical discussion of medical semantics and develops a semantic network analysis of ‘heart distress’, a folk illness in Iran.

The heart of what's the matter. The semantics of illness in Iran.

This study of the religion of Southern Sudan's Dinka people is now considered a minor classic of social anthropology. Lienhardt examines the complex meanings of divine imagery and relates these to the Dinkas' experience of life and death. From the role of priests to the translation of hymns, prayers, and myths, Lienhardt provides an unparalleled analysis and interpretation of this Sudanese religion.

R. G. Lienhardt

Papers

Divinity and experience : the religion of the Dinka