抗原变异可使得多种致病微生物易于逃避宿主免疫应答。表达在感染红细胞表面的恶性疟原虫红细胞表面蛋白1（PfPMP1）与感染红细胞、内皮细胞、树突状细胞以及胎盘的单个或多个受体作用，在黏附及免疫逃避中起关键的作用。每个单倍体基因组var基因家族编码约60种成员，通过启动转录不同的var基因变异体为抗原变异提供了分子基础。

疟原虫var基因转换速率变化导致抗原变异[英]／Paul H, Robert P, Christodoulou Z, et al//Proc Natl Acad Sci U S A

Probability Distributions.- Linear Models for Regression.- Linear Models for Classification.- Neural Networks.- Kernel Methods.- Sparse Kernel Machines.- Graphical Models.- Mixture Models and EM.- Approximate Inference.- Sampling Methods.- Continuous Latent Variables.- Sequential Data.- Combining Models.

Pattern Recognition and Machine Learning

I have developed "tennis elbow" from lugging this book around the past four weeks, but it is worth the pain, the effort, and the aspirin. It is also worth the (relatively speaking) bargain price. Including appendixes, this book contains 894 pages of text. The entire panorama of the neural sciences is surveyed and examined, and it is comprehensive in its scope, from genomes to social behaviors. The editors explicitly state that the book is designed as "an introductory text for students of biology, behavior, and medicine," but it is hard to imagine any audience, interested in any fragment of neuroscience at any level of sophistication, that would not enjoy this book. The editors have done a masterful job of weaving together the biologic, the behavioral, and the clinical sciences into a single tapestry in which everyone from the molecular biologist to the practicing psychiatrist can find and appreciate his or

Principles of Neural Science

Attachment--and loss.

We argue that an understanding of the faculty of language requires substantial interdisciplinary cooperation. We suggest how current developments in linguistics can be profitably wedded to work in evolutionary biology, anthropology, psychology, and neuroscience. We submit that a distinction should be made between the faculty of language in the broad sense (FLB)and in the narrow sense (FLN) . FLB includes a sensory-motor system, a conceptual-intentional system, and the computational mechanisms for recursion, providing the capacity to generate an infinite range of expressions from a finite set of elements. We hypothesize that FLN only includes recursion and is the only uniquely human component of the faculty of language. We further argue that FLN may have evolved for reasons other than language, hence comparative studies might look for evidence of such computations outside of the domain of communication (for example, number, navigation, and social relations).

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The faculty of language: what is it, who has it, and how did it evolve?

I argue that core aspects of musical rhythm, especially "groove" and syncopation, can only be fully understood in the context of their origins in the participatory social experience of dance. Musical meter is first considered in the context of bodily movement. I then offer an interpretation of the pervasive but somewhat puzzling phenomenon of syncopation in terms of acoustic emphasis on certain offbeat components of the accompanying dance style. The reasons for the historical tendency of many musical styles to divorce themselves from their dance-based roots are also briefly considered. To the extent that musical rhythms only make sense in the context of bodily movement, researchers interested in ecologically valid approaches to music cognition should make a more concerted effort to extend their analyses to dance, particularly if we hope to understand the cognitive constraints underlying rhythmic aspects of music like meter and groove.

Dance, Music, Meter and Groove: A Forgotten Partnership

Comparative research investigating how nonhuman animals generalize patterns of auditory stimuli often uses sequences of human speech syllables and reports limited generalization abilities in animals. Here, we reverse this logic, testing humans with stimulus sequences tailored to squirrel monkeys. When test stimuli are familiar (human voices), humans succeed in two types of generalization. However, when the same structural rule is instantiated over unfamiliar but perceivable sounds within squirrel monkeys' optimal hearing frequency range, human participants master only one type of generalization. These findings have methodological implications for the design of comparative experiments, which should be fair towards all tested species' proclivities and limitations.

/pdf/perceptual-tuning-influences-rule-generalization-testing-habj44rocj.pdf

Perceptual tuning influences rule generalization: Testing humans with monkey-tailored stimuli

Accepting Bullot & Reber's (B&R's) criteria for art appreciation would confine the study of aesthetics to those works for which historical information is available, mainly post–eighteenth-century Western “high art.” We reject their contention that “correct” artistic understanding is limited to experts with detailed knowledge or education in art, which implies a narrowly elitist conception of aesthetics. Scientific aesthetics must be broadly inclusive.

Fechner revisited: Towards an inclusive approach to aesthetics

Experimenters often use images of real objects to simulate interactions between animal subjects or visual stimuli on a touchscreen to test animal cognition. However, the degree to which nonhuman animals recognize 2-D images as representing the corresponding real objects remains debated. The common marmoset monkey (Callithrix jacchus) has been described as a species that spontaneously shows natural behaviors to 2-D images, for example, grasping behaviors to insects and fear responses to snakes. In this study, we tested 10 monkeys with their favorite food item (crickets), 2-D images (a photo and videos of a cricket), and a 3-D plastic model to reevaluate marmoset's spontaneous responses to 2-D images and to explore which artificial visual stimuli can motivate spontaneous interactions. The monkeys showed grasping behavior to the real cricket and the 3-D plastic model, but to none of the 2-D images. Our experiment suggests that depth information is the most important factor eliciting predatory behavior from the marmosets, and, therefore, a stimulus produced by a 3-D printer could be a good alternative when a spontaneous interaction or a convincing stimulus is required. Furthermore, this work serves as a cautionary tale for those using 2-D image presentations with marmosets, and perhaps other animal species. (PsycINFO Database Record (c) 2019 APA, all rights reserved).

W. Tecumseh Fitch

Papers

Dance, Music, Meter and Groove: A Forgotten Partnership

Perceptual tuning influences rule generalization: Testing humans with monkey-tailored stimuli

Fechner revisited: Towards an inclusive approach to aesthetics

Artificial visual stimuli for animal experiments: An experimental evaluation in a prey capture context with common marmosets (Callithrix jacchus).

The evolution of language: a comparative perspective