Postmodernism, or, the Cultural Logic of Late Capitalism

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The Visible Word: Experimental Typography and Modern Art, 1909-1923

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Electronic Literature as a Model of Creativity and Innovation in Practice

In publications addressing literary reflections on Europe, little attention has been paid to emerging cultural networks, the role of EU subsidies, or literary organisations engaging writers in initiatives aimed at contemplating the challenges that the European Union faces. This dissertation aims to explain the role of new initiatives by presenting four recent, transnational literary projects as case studies: the “Literatur Express Europa 2000”; “The European Constitution in Verse”; “Narratives for Europe”; and “The Return of Europe”. The projects were analysed through an examination of three fundamental aspects: the expectations held by the cultural organisations regarding their initiatives; the cultural artefacts resulting from the projects; and the effects of the projects in the public sphere. By selecting literary projects about Europe as case studies, rather than individual authors or texts, this research allows for an interdisciplinary approach that reveals the interaction between EU politics, civil society, cultural networks, and individual authors.

https://pure.uva.nl/ws/files/30600533/Thesis.pdf

Shared stories and creative dissonances: Transnational literary projects and European identity

This dissertation reexamines the critical orthodoxies of postmodern American literature by attending to the everyday objects that populate the worlds of narrative texts written from the 1960s to the first decade of the new millennium. Whereas the majority of literary and cultural critics, from Fredric Jameson to Linda Hutcheon to K. Anthony Appiah, argue that postmodernism can be best understood in terms of a commitment to the demystification of social arrangements that seem natural, this project proposes that what makes literature postmodern is a dedication to the ongoing material construction of the social. Beginning with the most mundane items in works of fiction by Leslie Marmon Silko, Don DeLillo, John Barth, Toni Morrison, and others, "Postmodern Materialism" charts the complex interactions of vast arrays of subjects and objects in the assembly of social groups. The resulting inquiry offers two important benefits: 1) a new approach to postmodernism in general through a rereading of postmodern fiction; 2) a unique methodology for assessing the relationship between things and people that reveals the fluidity of, and thus the possibility for remaking, our social structures. By showcasing the simplest components of the social, the project of postmodernism can be seen, I maintain, as calling our attention not so much away from ourselves and our preoccupations as toward the material world that we all share. Such a shift in consideration does necessitate, however, a theoretical movement away from human essence as the gravitational center of our social relations, thus precluding an overly reductive comparison between people that more often than not results in the exclusion, alienation, or marginalization of individuals and groups based on actual or perceived differences. Along these lines, I conclude that postmodern fiction is especially well-suited for a critical remaking of the social because it is attuned to the ways in which the social is constantly being fashioned by the world of material objects.

Postmodern materialism: things, people, and the remaking of the social in contemporary American narrative

Reconsidering the postmodern: European literature beyond relativism

Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.

Leegte die ademt: Het typografisch wit in de moderne poëzie

Digital literature emphasizes its own medium, and it brings to the foreground the graphic, material aspects of language. Experiments with the new medium and with the form of language are generally presented and interpreted within a framework of the historical avant-garde or the neo-avant-garde. This article aims to take a new perspective on the emerging digital materiality of language. The analysis of three works that remediate paper, the voice, the writing hand, or the physical presence of the author, leads to the conclusion that an ‘absent presence’ is given prominence. This paradoxical merging of presence and absence makes these forms of digital literature an expression of a specifically late postmodernist ambivalent stance regarding representation of the ‘real’. Complicity with the media culture goes hand in hand with an ironic approach of the mediatedness of the world and the body.

/pdf/a-performance-of-reality-handwriting-and-paper-in-digital-23vbkfdnyp.pdf

A Performance of Reality. Handwriting and Paper in Digital Literature

De schrijver is een pelikaan: offerplaatsen in het werk van Arnon Grunberg

Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: http://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible.

/pdf/uitblinken-in-overleven-de-erfenis-van-de-shoah-bij-arnon-2v3cs5cw82.pdf

Y. van Dijk

Papers

Reconsidering the postmodern: European literature beyond relativism

Leegte die ademt: Het typografisch wit in de moderne poëzie

A Performance of Reality. Handwriting and Paper in Digital Literature

De schrijver is een pelikaan: offerplaatsen in het werk van Arnon Grunberg

Uitblinken in overleven: de erfenis van de shoah bij Arnon Grunberg