Synchronization attack is one of the key issues of digital audio watermarking. In this correspondence, a blind digital audio watermarking scheme against synchronization attack using adaptive quantization is proposed. The features of the proposed scheme are as follows: 1) a kind of more steady synchronization code and a new embedded strategy are adopted to resist the synchronization attack more effectively; 2) he multiresolution characteristics of discrete wavelet transform (DWT) and the energy-compression characteristics of discrete cosine transform (DCT) are combined to improve the transparency of digital watermark; 3) the watermark is embedded into the low frequency components by adaptive quantization according to human auditory masking; and 4) the scheme can extract the watermark without the help of the original digital audio signal. Experiment results shows that the proposed watermarking scheme is inaudible and robust against various signal processing such as noise adding, resampling, requantization, random cropping, and MPEG-1 Layer III (MP3) compression

A Novel Synchronization Invariant Audio Watermarking Scheme Based on DWT and DCT

The illegal distribution of a digital movie is a common and significant threat to the film industry. With the advent of high-speed broadband Internet access, a pirated copy of a digital video can now be easily distributed to a global audience. A possible means of limiting this type of digital theft is digital video watermarking whereby additional information, called a watermark, is embedded in the host video. This watermark can be extracted at the decoder and used to determine whether the video content is watermarked. This paper presents a review of the digital video watermarking techniques in which their applications, challenges, and important properties are discussed, and categorizes them based on the domain in which they embed the watermark. It then provides an overview of a few emerging innovative solutions using watermarks. Protecting a 3D video by watermarking is an emerging area of research. The relevant 3D video watermarking techniques in the literature are classified based on the image-based representations of a 3D video in stereoscopic, depth-image-based rendering, and multi-view video watermarking. We discuss each technique, and then present a survey of the literature. Finally, we provide a summary of this paper and propose some future research directions.

An Overview of Digital Video Watermarking

https://dr.ntu.edu.sg/bitstream/10220/40556/1/Twenty%20years%20of%20digital%20audio%20watermarking%20-%20A%20comprehensive%20review.pdf

Twenty years of digital audio watermarking-a comprehensive review

The paper presents a novel echo-hiding method for audio watermarking. The method is quite different from previous echo-hiding methods since it presents a new echo kernel which introduces a forward kernel as well as a backward kernel. The new kernel, a combination of the backward and forward kernels, can enhance considerably the watermark detection rate. Thus, it is possible to reduce echo amplitude. The paper proves mathematically that the combination of kernels improves watermark performance. Experimental results show that the proposed watermarking scheme is much better than previous echo-hiding schemes in terms of detection rate and imperceptibility.

A novel echo-hiding scheme with backward and forward kernels

The development of a geometric invariant audio watermarking scheme without degrading acoustical quality is challenging work. This paper proposes a multi-bit spread-spectrum audio watermarking scheme based on a geometric invariant log coordinate mapping (LCM) feature. The LCM feature is very robust to audio geometric distortions. The watermark is embedded in the LCM feature, but it is actually embedded in the Fourier coefficients which are mapped to the feature via LCM, so the embedding is actually performed in the DFT domain without interpolation, thus eliminating completely the severe distortion resulted from the non-uniform interpolation mapping. The watermarked audio achieves high auditory quality in both objective and subjective quality assessments. A mixed correlation between the LCM feature and a key-generated PN tracking sequence is proposed to align the log-coordinate mapping, thus synchronizing the watermark efficiently with only one FFT and one IFFT. Both the theoretical analysis and experimental results show that the proposed audio watermarking scheme is not only resilient against common signal processing operations, including low-pass filtering, MP3 recompression, echo addition, volume change, normalization, test functions in the Stirmark benchmark, and DA/AD conversion, but also has conquered the challenging audio geometric distortion and achieves the best robustness against simultaneous geometric distortions, such as pitch invariant time-scale modification (TSM) by ±20%, tempo invariant pitch shifting by 20%, resample TSM with scaling factors between 75% and 140%, and random cropping by 95%. This is mainly contributed by the proposed geometric invariant LCM feature. To our best knowledge, audio watermarking based on LCM has not been reported before.

Yong Hee Choi

Papers

A novel echo-hiding scheme with backward and forward kernels

Audio Watermarking Techniques