Greece & Rome 

About: Greece & Rome is an academic journal published by Cambridge University Press. The journal publishes majorly in the area(s): Poetry & Politics. It has an ISSN identifier of 0017-3835. Over the lifetime, 1104 publications have been published receiving 11322 citations. The journal is also known as: Hellenic Republic & Hellas.

Self-scrutiny and self-transformation in Seneca's letters

Abstract: The idea of a collection of letters from a Roman senator to his equestrian friend might encourage the reader familiar with the Letters of Cicero to expect a certain kind of self-revelation. Seneca, like Cicero, was one of the most prominent men in Rome in his own time. We might expect his letters to tell us his views on the emperor Nero, for instance, or what his motives were for retiring from public life (as he had done by the time he came to write the Letters). But readers of Seneca's Letters, at least in modern times, have often felt disappointed at his failure to provide information about himself and the world he lives in.

Legendary Genealogies in Late-Republican Rome

Abstract: When the quaestor C. lulius Caesar began his aunt's funerary laudatio with these words in 69 B.c., he was not claiming any unique glory appropriate only to ‘imperial Caesar’, but indulging a form of family pride shared by many aristocrats in the late Republic.

The Shield Of Achilles Within The Iliad

Abstract: Why is the shield of Achilles, instrument of war in a poem of war, covered with scenes of delightful peace, of agriculture, festival, song, and dance? I shall try to approach an answer to this question by looking at the scenes on the shield in relation to the rest of Homer, I mean the Iliad and Odyssey.

The Fourth Georgic , Virgil, and Rome

Abstract: Never were more prophetic words penned than these of Friedrich Klingner. Many and various have been the interpretations put forth since then, and some of them have been very strange indeed. The reader who has duly confronted Coleman, Otis, Segal, Bradley, Wender, Wilkinson, Wankenne, Coleiro, Hardie, Joudoux, Wormell, Otis again, Parry, Putnam, Cova, Chomarat, and Stehle, feels dismay; perhaps despair. For some, the point of the Aristaeus and Orpheus episodes is political propaganda (so Coleiro: Gallus could have survived had he humbled himself like Aristaeus, the moral being the duty of subordination to the Princeps; so, rather differently, Joudoux: the poem is propaganda for the supremacy of Octavian, in terms of the threefold Indo-European structure ofDumezil). For others, it is moral (so, for instance, Wender: Orpheus turned away from the hard and morally ambiguous farmer's life, as lived by Aristaeus; Aristaeus gets bugonia as his reward, while Orpheus is dismembered and scattered in order to fertilize the earth); or religious (so Chomarat: the experience of Aristaeus is presented under the schema of initiation into a mystery religion); or political and moral (so Wormell and Otis: Aristaeus ‘stands for the sinful self-destruction, atonement and revival of the Roman people’; life emerges from death, ‘in political terms, the Augustan restoration from the anarchy of civil war’; ‘Aristaeus, it is to be presumed [ sic ], was induced to heed the lesson’).

Culture and power in Ptolemaic Egypt: The museum and library of Alexandria

Abstract: Within the palace complex in Alexandria, the city founded by Alexander in Egypt, a community of scholars was established in what was known as the Museum (or Mouseion); linked to this was a library, the Great Library of Alexandria. These two institutions are often celebrated for their role in the history of scholarship, but they were also the products of the Hellenistic age and of the competition which arose between the successors of Alexander. In many ways these two institutions encapsulate the ideology and policy of the early Ptolemies. It is the purpose of this paper to explore this aspect and set them in a wider context.