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Showing papers in "Visible Language in 1992"

Journal Article•
Damned Lies. And Statistics. Otto Neurath and Soviet Propaganda in the 1930s.

[...]

Clive Chizlett
01 Jan 1992-Visible Language

23 citations

Journal Article•
To Picture or Not to Picture: How to Decide.

[...]

Judith E. Sims-Knight
01 Jan 1992-Visible Language

13 citations

Journal Article•
Data Exploration: Transposition Operations in Dynamic Diagrams.

[...]

Vijay K. Sivasankaran, Charles L. Owen
01 Jan 1992-Visible Language

4 citations

Journal Article•
Proto-Fluxus in the United States, 1959-1961: The Establishment of a Like-Minded Community of Artists.

[...]

Owen F. Smith
01 Jan 1992-Visible Language

4 citations

Journal Article•
FluxBase: An Interactive Art Exhibition.

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Joan S. Huntley, Michael Partridge
01 Jan 1992-Visible Language

3 citations

Journal Article•
Diagrams as Tools for Worldmaking.

[...]

Sharon Poggenpohl, Dietmar R. Winkler
01 Jan 1992-Visible Language

3 citations

Journal Article•
Road Shows, Street Events, and Fluxus People: A Conversation with Alison Knowles.

[...]

Estera Milman
01 Jan 1992-Visible Language

3 citations

Journal Article•
Two Sides of a Coin: Fluxus and Something Else Press.

[...]

Dick Higgins
01 Jan 1992-Visible Language

3 citations

Journal Article•
Fluxus: Global Community, Human Dimensions.

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Ken Friedman
01 Jan 1992-Visible Language

3 citations

Journal Article•
Blush and Zebrackets: Two Schemes for Typographic Representation of Nested Associativity.

[...]

Michael Cohen
01 Jan 1992-Visible Language

2 citations

Journal Article•
Fluxacademy: From Intermedia to Interactive Education.

[...]

Craig Saper
01 Jan 1992-Visible Language
Journal Article•
Historical Design and Social Purpose: A Note on the Relationship of Fluxus to Modernism.

[...]

Stephen C. Foster
01 Jan 1992-Visible Language
Journal Article•
On Open Structures and the Crisis of Meaning, a Dialogue.

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Estera Milman, Stephen C. Foster
01 Jan 1992-Visible Language
Journal Article•
De-Collage and Television: Wolf Vostell in New York, 1963-64.

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John G. Hanhardt
01 Jan 1992-Visible Language
TL;DR: In this article, the authors present a collection of three Wolf Vostell projects produced in New York during the period 1963-64, including the first one-artist show at the Smolin Gallery and participation in the "Yam Festival of Happening" at George Segal's farm.
Abstract: mentation by Peter Moore of three Wolf Vostell projects produced in New York during the period 1963-64. \"De-collage and Television\" focuses on Vostell's use of de-collage technique as a means to critique broadcast television. The projects represented are Vostell's first one-artist show in New York at the Smolin Gallery and participation in the \"Yam Festival of Happening\" at George Segal's farm, both in 1963.
Journal Article•
To Show and Explain: The Information Graphics of Stevin and Comenius.

[...]

Krzysztof Lenk, Paul Kahn
01 Jan 1992-Visible Language
Journal Article•
Explicit and Implicit Graphs: Changing the Frame.

[...]

Peter Storkerson
01 Jan 1992-Visible Language
Journal Article•
John Cage Discusses Fluxus.

[...]

Ellsworth Snyder
01 Jan 1992-Visible Language
Journal Article•
Notes on Soho and a Reminiscence.

[...]

Hollis Melton
01 Jan 1992-Visible Language