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Acts of Memory: Cultural Recall in the Present

TLDR
Acts of Memory as mentioned in this paper is a collection of 15 essays that illustrate the active role of individual and cultural memory in tying the past to the present, including the need for memory and testimonial facilitation of memory, primarily in the case of historical and individual trauma.
Abstract
Acts of Memory presents 15 tightly integrated essays that illustrate the active role of individual and cultural memory in tying the past to the present. Memory, or memorialization, is a cultural activity occurring in the present that offers history another kind of source or document; one that provides insights into the past as it lives on today. The authors, in fields ranging from philosophy and history through literature and media studies, illustrate how memory serves many purposes, between conscious recall and unreflected re-emergence, between nostalgic longing for what is lost to polemical use of the past to reshape the present. Their essays coalesce around three topics: the need for memory and testimonial facilitation of memory, primarily in the case of historical and individual trauma; the site-specific nature of acts of memory, especially in geopolitically conflicted situations; and the potential contributions of acts of memory when facing the difficulties and needs of the present. "Neither remnant, document, nor relic of the past, nor floating in a present cut off from the past, cultural memory, for better or worse, binds the past to the present and future. It is that process of binding that we explore in this volume" writes Mieke Bal. CONTRIBUTORS: Carol B. Bardenstein, Susan J. Brison, Ann Burlein, Katharine Conley, Lessie Jo Frazier, Gerd Gemunden, Marianne Hirsch, Andreas Huyssen, Irene Kacandes, Mary Kelley, Marita Sturken, Ernst van Alphen, and the editors"

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Journal ArticleDOI

The Generation of Postmemory

Marianne Hirsch
- 01 Mar 2008 - 
TL;DR: In this article, the role of the family as a space of transmission and the function of gender as an idiom of remembrance of the Holocaust is discussed. But the focus is on the second generation, which is the hinge generation in which received, transferred knowledge of events is being transmuted into history or into myth.
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Surviving Images: Holocaust Photographs and the Work of Postmemory

TL;DR: The first encounter with the photographic inventory of ultimate horror is a kind of revelation, the prototypically modern revelation: a negative epiphany as mentioned in this paper, which cuts me as sharply, deeply, instantaneously.
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Observed Decay: Telling Stories with Mutable Things

TL;DR: In this article, the authors track the entanglement of cultural and natural histories through the residual material culture of a derelict homestead in Montana, and suggest that deposits of degraded material, though inappropriate for recovery in conventional conservation strategies, may be understood through the application of a collaborative interpretive ethic, allowing other-than-human agencies to participate in the telling of stories about particular places.
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The Past in the Present Culture and the Transmission of Memory

TL;DR: In this paper, a theory of cultural trauma with reference to slavery and the formation of an African American identity was proposed, and the concepts of collective memory and collective identity were discussed and linked with the theory of intellectual generations, with the notion of an "African American" emerged as part of the efforts of a generation of black intellectuals to come to grips with their, individual and collective, rejection by American society after being promised full integration following the end of the Civil War.
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Feminism and Cultural Memory: An Introduction

TL;DR: The cover image for this volume, Self Portrait (Ellis Island) as mentioned in this paper, is a projection of a slide of a woman's face floating in an empty room with peeling plaster walls, an open door and a rough earthen floor.