scispace - formally typeset
Open AccessBook

Cinemas of the Mind: A Critical History of Film Theory

Reads0
Chats0
TLDR
The Critical History of Film Theory as mentioned in this paper is a collection of key extracts from the major works of film theory with in-depth analysis and trenchant critique, and argues for a revitalised understanding of the relationship of film to reality in the wake of postmodernism.
Abstract
Film theory is one of the most fascinating recent adventures of human thought. The compelling medium of cinema has provoked a wide range of directors, writers and thinkers to engage in vigorous debate about its relationship to art, morality, psychology, politics and philosophy. This Critical History vividly reconstructs and intervenes in that debate. It combines key extracts from the major works of film theory with in-depth analysis and trenchant critique, and argues for a revitalised understanding of the relationship of film to reality in the wake of postmodernism.

read more

Citations
More filters
Book

Key Terms in Stylistics

TL;DR: In this paper, the authors introduce Branches of Stylistics and Branching of Style, and introduce the concept of Key Thinkers and Key Texts Index (KTI).
Dissertation

Fields of interaction: From shadow play theatre to media performance

TL;DR: In this paper, the authors examine the emerging contemporary practice of computational media performance and its genealogy through intersections across shadow play, cinema and computational media, with a particular focus on issues that arise from using computational technologies in the context of performance.
Dissertation

Interrupting time : a photographic examination of the perception of urban temporality

Rachel Jones
TL;DR: In this article, the authors examine how time is perceived in the urban realm and what role the visual field plays in this perception, and how a unified sense of time is reconciled with the fractured nature of urban temporality.

Architectural Animation becomes Alive - Creating Spatial Narrative with Spatial Characters for Animations

TL;DR: This paper sets up a paradigm for creative architectural animations, drawing cinematic, architectural and narrative theories together to form a ‘Spatial Character’ which served as working platform of an entry to the FEIDAD-Competition that defined and placed architecture into a cinematic context.