Journal ArticleDOI
Estudios sobre Lope
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This article is published in Hispania.The article was published on 1952-05-01. It has received 16 citations till now.read more
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A Current Bibliography
Jack H. Parker,Karl Ludwig Selig +1 more
TL;DR: The role of dance and dance lyrics in the Spanish Comedia to the early eighteenth century is discussed in this paper, where microfilm copies of Vols I-VII of the Bulletin of the Comediantes are available at a small charge (about $2).
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The Devil and Humor in Lope's Comedias de santos
TL;DR: The devil figures prominently in Lope de Vega's comedias de santos as discussed by the authors, and often in situations which can be judged as humorous This humor arises for different reasons since the devil assumes human form to tempt the saint, he sometimes is subjected to awkward and humiliating circumstances The devil himself makes puns or cracks jokes about his predicament The devil, sometimes resembling a pedantic hidalgo, is satirized for his airs of superiority The devil also provokes laughter because, through his defeat and humiliation, the public of the seventeenth century felt temporarily relieved of fear (TEC
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Lope de Vega's "Alcides Nueuo" and Satan's Sect: A Case for Local Readings
TL;DR: Alcides nueuo, en cuyos ombros tiernos, Mientras descansa el gran Filipo Atlante, Cargan dos worlds, porque sois bastante,. Si los huuiera, para mas gouiernos as discussed by the authors.
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Lope y la evolución del gracioso
TL;DR: The gracioso is una presencia constante en la comedia del Siglo de Oro a partir de Lope as mentioned in this paper, i.e., el arquetipo jungiano del "Tramposo", nuevamente interpretado by Edith Kern, nos da los rasgos esenciales de un espiritu comico universal, de Plauto a Rabelais to Chaplin and Woody Allen.
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Anatomía Áulica y Política de Fieras Afemina Amor de Calderón
TL;DR: Fieras afemina amor as mentioned in this paper is a novel by Pedro Calderón de la Barroco, a novel published tras the muerte de Felipe IV.