Introduction to Public Radio and Music in the Streaming Era Symposium Music in the Public Service: Public Radio and Music in the Streaming Era
Christopher Cwynar,Brian Fauteux +1 more
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The current moment is a productive time to examine the relationship between public media and music due to the massive changes that these sectors have experienced in recent decades as mentioned in this paper, and these changes ofAbstract:
The current moment is a productive time to examine the relationship between public media and music due to the massive changes that these sectors have experienced in recent decades These changes ofread more
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Radio and audio in 2020
Devin Stroink,Elizabeth Edwards +1 more
TL;DR: Adeyeye et al. as discussed by the authors presented a SWOT analysis of indigenous language use in agricultural radio programming in Nigeria and found that Oyesomi and Ogwuche, P. O. used indigenous language in investigative journalism in Nigeria.
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Editor’s Remarks: Music, Radio, the Public, and the Audience
TL;DR: Fessenden transmitted two musical selections as part of his experimental broadcast on Christmas Eve 1906 from Brant Rock, Massachusetts as mentioned in this paper, which was the first experimental broadcast of radio programming.
References
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Book
The Music Industry: Music in the Cloud
TL;DR: This book discusses music in the Cloud, the music industry as a whole, and the role of technology in the creative process.
Public media 2.0: dynamic, engaged publics
TL;DR: In this article, the authors present an expanded vision for public media: multiplatform, participatory, and centered around informing and mobilizing networks of engaged users, showing trends and experiments from the "first two minutes" of public media 2.0.
Book Chapter
From public service broadcasting to public service media: The core challenge.
Jo Bardoel,Gregory Ferrell Lowe +1 more
Book
Popular Music in a Digital Music Economy: Problems and Practices for an Emerging Service Industry
TL;DR: In this paper, the authors examine the practices of the new music industry as experiments, dedicated to negotiating what is replacing an "object based" industry oriented around the production and exchange of physical recordings.
Journal ArticleDOI
There Is No Music Industry
TL;DR: In this article, the authors argue that media industry scholars must do the same, opening up their inquiries to a wide range of music industries, that is, industries whose activities directly affect the performance, production, circulation, consumption, recirculation, appropriation, and enjoyment of music today.