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Japanese woodblock prints : artists, publishers and masterworks, 1680-1900

TLDR
Artisfaobu;Tqlh`kepjcnmygd|~ス ǫ:4ニタチモフツ�
Abstract
Artists(Kiyonobu;Masanobu;Toshinobu;Shigenaga;Kiyomasu ほか) Publishers(Urokogataya Magobei;Igaya Kan’emon;Emiya Kichiemon;Murataya Jirobei;Tsuruya Kiemon ほか)

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Characterization of Yellow and Red Natural Organic Colorants on Japanese Woodblock Prints by EEM Fluorescence Spectroscopy

TL;DR: In this article, the authors used fluorescence spectroscopy to characterize natural yellow and red organic colorants on Japanese woodblock prints without taking samples, including safflower, madder, sappanwood, gamboge, flavonoids, berberines, and turmeric.
Journal ArticleDOI

The History of Books and Print Culture in Japan: The State of the Discipline

Andrew T. Kamei-Dyche
- 01 Jan 2011 - 
TL;DR: One of the largest retailers to enjoy enormous and consistent growth throughout Japan's economic turmoil of the past two decades is Book Off, a big box chain of used bookstores as discussed by the authors.
Journal ArticleDOI

Processional prints of the Kanda festival: popular visual culture and neighborhood identity

Ezra Toback
- 02 Jan 2020 - 
TL;DR: In this article, the historical position of neighborhood identities in the city of Edo-Tokyo as represented in woodblock prints depicting the biennial procession of the Kanda shrine festival is considered.
Journal ArticleDOI

Raising subjects: The representation of children and childhood in Meiji Japan

Rhiannon Paget
- 01 Jan 2011 - 
TL;DR: The authors examines coloured woodblock prints (nishikie) of ethical themes produced by the studio of Utagawa Kuniteru and the newly formed Ministry of Education, and Inoue Yasuji between 1873 and 1887, and the new notions of children and childhood the prints espoused.