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Jonathan Swift in print and manuscript

TLDR
Swift's career in print and manuscript: 1. Print publication through 1714 2. Manuscript circulation after 1714 3. Print and Manuscript in Three Late Poems: 4. Censorship and revision in 'On Poetry: A Rapsody' 5. The texts and contexts of 'The Legion Club' 6. Verses on the Death of Dr. Swift' Conclusion Bibliography Index as mentioned in this paper
Abstract
Introduction Part I. Swift's Career in Print and Manuscript: 1. Print publication 2. Manuscript circulation through 1714 3. Manuscript circulation after 1714 Part II. Print and Manuscript in Three Late Poems: 4. Censorship and revision in 'On Poetry: A Rapsody' 5. The texts and contexts of 'The Legion Club' 6. The authorial strategies and material texts of 'Verses on the Death of Dr. Swift' Conclusion Bibliography Index.

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Bibliography of Primary Sources

TL;DR: In this article, Welsford offers a new way of analysing the Tuy-y-Tiremids' accession to power at the turn of the seventeenth century.
Book

Ellipsis in English Literature: Signs of Omission

TL;DR: The ellipsis marks in early printed drama have been observed in early literature as discussed by the authors, e.g., early printed dramas and early novels, and the eighteenth-century novel 'Explorations in Dot-and-Dashland'.
MonographDOI

Literary coteries and the making of modern print culture, 1740-1790

TL;DR: Literary Coteries and the Making of Modern Print Culture offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain's literary culture as mentioned in this paper.
DissertationDOI

Enlightened Dissent: The voices of anti-imperialism in eighteenth century Britain

TL;DR: Gaiero et al. as mentioned in this paper explored and analyzed anti-imperial sentiments in Britain throughout the long eighteenth century, from those who opposed the high economic costs of imperial expansion to those who worried that a divine retribution would rain down upon Britain for injustices committed by Britons abroad.
MonographDOI

The appearance of print in eighteenth-century fiction

TL;DR: In this paper, the fate of the page in Charles Gildon's epistolary fiction is discussed, as well as the substitutions of text in print culture in eighteenth-century Britain.