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Journal ArticleDOI

La France en Chantant: The Rhetorical Construction of French Identity in Songs of the Resistance Movement

Kelly Jakes
- 14 Aug 2013 - 
- Vol. 99, Iss: 3, pp 317-340
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TLDR
In the French Resistance, the songs represented resisters as the guardians of true Frenchness, an identity that excluded collaborators from the national community and robbed them of political legitimacy as discussed by the authors.
Abstract
During the German Occupation from 1940 to 1944, members of the French Resistance sang folk songs to legitimize their movement in the face of widespread support for collaboration and brutal police attacks. Reprising a performative tradition of French political singing, Resistance fighters deployed national narratives and parody to define themselves as transhistorical French heroes while also practicing democratic forms they sought to safeguard. In this way, the songs represented resisters as the guardians of true “Frenchness,” an identity that excluded collaborators from the national community and robbed them of political legitimacy.

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A Theory of Parody: The Teachings of Twentieth-Century Art Forms

TL;DR: Hutcheon et al. as mentioned in this paper published a book with the same title, "Litigation: A Guidebook for Women's Mental Health: 2000 -2010". Author: Linda Hutcheon Author's Year: 2000 Author: 2000 Pages: xx + 143 Publisher: University of Illinois Press Price: $14.95
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Sonic Persuasion: Reading Sound in the Recorded Age

TL;DR: GoodGoodale as mentioned in this paper, Sonic Persuasion: Reading Sound in the Recorded Age (Urbana: University of Illinois Press, 2011), xi + 189 pp. $75.00 (cloth), $27.34 (e-book).
References
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Book

Feminine Endings: Music, Gender, and Sexuality

TL;DR: McClary's "Feminine Endings" as mentioned in this paper is a collection of essays in feminist music criticism, addressing problems of gender and sexuality in repertoires ranging from the early seventeenth century to rock and performance art.
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Performance: A Critical Introduction

TL;DR: In this paper, a comprehensively revised, illustrated edition discusses recent performance work and takes into consideration changes that have taken place since the book's original publication in 1996, with a fully updated bibliography and additional glossary of terms.
Journal ArticleDOI

Constitutive rhetoric: The case of the peuple québécois

TL;DR: A theory of constitutive rhetoric, based on the principle of identification, can account for the constitution of subjects of this type, agents within ideological discourse, are interpellated or called into being through rhetorical narratives as discussed by the authors.
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A Theory of Parody: The Teachings of Twentieth-Century Art Forms

TL;DR: The authors examines the historical development of parody in order to examine its place, purpose and practice in the post-modern world of contemporary art forms, and examines its place and purpose in satire.