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Journal ArticleDOI

Marecheran Postmodernism: Mocking the Bad Joke of "African Modernity".

Annie Gagiano
- 01 Jun 2002 - 
- Vol. 18, pp 61-84
TLDR
The role of modernism in literature is recognised as simultaneously an exposure of territorial and racial power factors at work in the European modernisation project, and as (to some extent) complicit in them.
Abstract
Summary This discussion begins by setting up a critique of the modernisation project of the West as closely entwined with territorial expansionism and the development of racial arrogance ‐ with reference to a range of theorists. The role of modernism (in literature) is recognised as simultaneously an exposure of territorial and racial power factors at work in the European modernisation project, and as (to some extent) complicit in them. The text used here to exemplify the paradoxical role of European modernism is Conrad's Heart of Darkness. Since Marechera in carnivalesque fashion parodies Conrad's novella in the opening pages of his novel Black Sunlight, discussing this text introduces the topic of Marechera's particular kind of postmodernism with its focus on the modernisation project, in the African context, as a form of betrayal. The rest of the essay examines The Black Insider ‐ a novel of debate in which the displacement of African intellectuals is addressed in a similar style of grotesque mockery b...

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文化與帝國主義 = Culture and imperialism

TL;DR: From Jane Austen to Salman Rushdie, from Yeats to the media coverage of the Gulf War, this is an account of the roots of imperialism in European culture as discussed by the authors.
References
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Book

Culture and Imperialism

TL;DR: From Jane Austen to Salman Rushdie, from Yeats to the media coverage of the Gulf War, this is an account of the roots of imperialism in European culture.
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Dialectic of Enlightenment

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Lectures on the Philosophy of World History

TL;DR: An English translation of the introduction to the lectures of Karl Hegel's philosophy of history was published in 1955 as mentioned in this paper, based directly on the standard German edition by Johannes Hoffmeister.