Open Access
Murals: Fine, Popular, or Folk Art?
TLDR
The Mexican American mural movement in Southern California has often been viewed as folk art by anthropologists, art historians, and others as mentioned in this paper, but this view neglects the historical antecedents of the murals in the Mexican art tradition.Abstract:
The Mexican American mural movement in Southern California has often been viewed as folk art by anthropologists, art historians, and others. This view neglects the historical antecedents of the murals in the Mexican art tradition. However, this expressive form needs to be explained from various perspectives since social, political, and economic factors have dictated the direction taken by this movement. By a movement I mean action by a person or group of people working concertedly toward a particular goal. This action stems from dissatisfaction with popular norms or beliefs that have been universalized and that exclude a particular segment of the population. The Mexican mural movement of Los Angeles started not solely to beautify a neglected area of the city, but to serve as a voice and a political statement for the Chicanos. The founding artists of the mural movement were immigrants or firstand second-generation U.S. citizens. Each of these groups possessed a different artistic background and training that ranged from the university trained to the self-taught artist. Of paramount importance is the fact that this particular artistic movement is distinguished from other art movements. It originated from a tradition-bound network of affective relationships between individuals or between an individual and a group, as compared to the intellectual relationships of one painting to another-whether the latter relationship be one of political or aesthetic importance, as are variousread more
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Productos Latinos: Latino Business Murals, Symbolism, and the Social Enactment of Identity in Greater Los Angeles
TL;DR: The authors examines the Latino occupational tradition of adorning workplaces with murals featuring ludic, sentimental, and religious iconography and explores the emergent and recurrent meanings of this collectively shared symbolism as it relates to humor, group remembrance, the expression of visual piety, vandalism, and municipal regulation.
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Street Art and Intangible Heritage: a contextualising approach to public art in Vitoria-Gasteiz.
TL;DR: In this article, the authors present a treball de camp etnografic dut a terme a la ciutat de Vitoria-Gasteiz, capital del Pais Basc, entre el 4 i el 8 de desembre de 2017.
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Book
The Folk Society
TL;DR: The notion of "folk culture" was introduced in this paper, where the ways of living are conventionalized into a coherent system which we call "a culture." Behavior is traditional, spontaneous, uncritical, and personal; there is no legislation or habit of experiment and reflection for intellectual ends; and the sacred prevails over the secular; the economy is one of status rather than of the market.
Journal ArticleDOI
The arts and their changing social function
TL;DR: Art has been defined as any embellishment of ordinary living that can be achieved with compelence and has describable form as discussed by the authors, and it is to be thought of as an embellishment that can and, indeed, usually does sustain a level of meaning.