scispace - formally typeset
Journal ArticleDOI

Queer Children, Queer Futures: Navigating lifedeath in The Hunger Games

Riley McGuire
- 01 Jun 2015 - 
- Vol. 48, Iss: 2, pp 63-76
Reads0
Chats0
TLDR
A decade ago, Lee Edelman published No Future: Queer Theory and the Death Drive as mentioned in this paper, a polemic grounded in Lacanian psychoanalysis, in which he argued that the future is child stuff.
Abstract
It has been a decade since Lee Edelman published his scathing polemic grounded in Lacanian psychoanalysis--No Future: Queer Theory and the Death Drive. A lot can happen in a decade. A decade ago, I was a teenager; two decades ago, I was a child. I hope to begin making sense of the ways in which Edelman's work resonates in our contemporary moment, and I mention my decades-long removal from childhood because this is the aspect of Edelman's work with which I am most preoccupied: the Child. Of course--as Edelman repeatedly insists throughout No Future--I am here referring to the Child with a capital "C," not the lived historical realities of any "actual" children; to the social symbolic function of the Child, a figure with a contested history in the field of queer studies. While I will borrow concepts from Edelman's entire work, I will draw primarily on his opening chapter, the significantly titled "The Future is Kid Stuff," which evokes one of the major bonds of signification central to this essay: the signifier of the Child and the signified of the future. Following yet detouring from Edelman, I aim to unpack the oppositional and appositional relationship between this bond of signification and another--the signifier of queerness and the signified of death. After outlining the work of Edelman on the pairings of the Child/the future and queerness/death, I will fuse the two in Kathryn Bond Stockton's conception of the queer child--a figure, I argue, that productively muddles the future with death, death with the future, to become an embodiment of lifedeath, suturing together humanity's perpetuation and demise. I propose then to approach this theoretical conversation through an examination of the contemporary cultural fascination with narratives of the death of children as mass public spectacles--both delight in fictional representations of this manner and horror over media coverage of actual death, as perhaps most haunting in the ongoing epidemic of school shootings. Specifically, I will offer an admittedly cursory reading of Suzanne Collins's highly popular The Hunger Games book trilogy and movie franchise, contextualized through the obsessive American media coverage of the infiltration of fatal violence into the spaces of childhood, from the classroom to the movie theatre. The book series, which features a dystopian alternate reality in which children are selected to fight each other to the death in a televised event, presents a recurring cultural narrative and provides a complication of Edelman's contrasting alignment of children with life and queerness with death. What happens when children die? When they kill? As a series both aimed at children and young adults, and primarily about children, The Hunger Games is an apt point of intervention for this essay. To stay on the note of popular culture for a moment, when I first read No Future, what came to mind was Helen Lovejoy from The Simpsons. In an episode about prohibition, the reverend's wife, Helen, shrilly demands, "won't somebody please think of the children?" ("Homer"). According to Edelman, this epitomizes a constant refrain of our socio-political reality--whether coming from the mouths of liberals or conservatives--and one that attempts to inextricably tie the symbolic Child to the perpetuation of the future. In short, all we ever think about is the children. Edelman describes the "oppressively political" (2) "coercive universalization" (11) of the Child, "insofar as the fantasy subtending the image of the Child invariably shapes the logic within which the political itself must be thought," binding us in a logic of "reproductive futurism" (2). The Child can be invoked, especially by a reverend's wife like Helen Lovejoy, to do battle with various "social misfits," ranging from pro-choice advocates to homosexuals and other figures of death, in order to defend the future. We must fight "righteous" wars, accumulate wealth and material like proper capitalist subjects, all to preserve a future for our children. …

read more

Citations
More filters
Journal ArticleDOI

The Twitter games: media education, popular culture and multiscreen viewing in virtual concourses

TL;DR: In this paper, the authors analyse whether the tweets include the topics of ideology and values mentioned in the selected articles and whether the conversations help build knowledge of the subjects that, according to the experts, are discussed in the literary trilogy.
Book ChapterDOI

Sinister Power Play and the Final Girl: Katniss Everdeen in Suzanne Collins’ The Hunger Games Trilogy

TL;DR: Katniss Everdeen's refusal to become a Final Girl in the brutal Games inspires the revolution that destroys President Snow's tyrannical regime as mentioned in this paper, however, Katniss has no true agency, and she even commits a shocking crime: the political assassination of the new leader, Alma Coin.
References
More filters
Book

The Standard Edition of the Complete Psychological Works of Sigmund Freud

Sigmund Freud
TL;DR: The Complete Psychological Works of Sigmund Freud in English as mentioned in this paper is the first full paperback publication of the standard edition of the complete psychological works in English, containing twenty-four volumes.
Journal ArticleDOI

Of Other Spaces

Michel Foucault, +1 more
- 21 Jan 1986 - 
TL;DR: In this sense, structuralism does not entail a denial of time; it does involve a certain manner of dealing with time and what we call history as mentioned in this paper, which is the effort to establish, between elements that could have been connected on a temporal axis, an ensemble of relations that makes them appear as juxtaposed, set off against one another, implicated by each other, making them appear, in short, as a sort of configuration.
Book

Beyond the Pleasure Principle

Sigmund Freud
TL;DR: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey as discussed by the authors was the first English translation of Freud's major works to appear in his lifetime.

Beyond the Pleasure Principle

Sigmund Freud
TL;DR: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey as discussed by the authors was the first English translation of Freud's major works to appear in his lifetime.
Book

Two Treatises of Government

John Locke
TL;DR: The Law of Nature for the beginning of Property, in what was before common, still takes place; and by vertue thereof, what Fish any one catches in the Ocean, that great and still remaining Common of Mankind; or what Ambergriese any one takes up here, is by the labour that removes it out of that common state Nature left it in, made his Property who takes that pains about it.