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Journal ArticleDOI

"Significant Silences" and the Politics of National Reconciliation in Chater's Crossing the Boundary Fence

Cuthbeth Tagwirei
- 18 Nov 2013 - 
- Vol. 29, Iss: 4, pp 20-35
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TLDR
In this paper, the authors explore Patricia Chater's Crossing the Boundary Fence (1988) within the framework of Macherey's (1978) concept of significant silences, arguing that in her representation of the decolonisation of Zimbabwe, the writer circumvents pertinent areas that are central to any discussion of the colonial history of Zimbabwe and the liberation war against colonialism.
Abstract
SummaryThe article explores Patricia Chater’s Crossing the Boundary Fence (1988) within the framework of Macherey’s (1978) concept of “significant silences”. I argue that in her representation of the decolonisation of Zimbabwe, the writer circumvents pertinent areas that are central to any discussion of the colonial history of Zimbabwe and the liberation war against colonialism. Among the areas the text is silent on is the role of white people in institutionalising racism in the colony and the contributions of ZAPU and the Ndebele during the war of liberation. These silences are informed by a reconciliation agenda which makes silence integral to its realisation.

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Citations
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One Hundred Years of Solitude——我们将如何对抗孤独

夏辉
TL;DR: It is confirmed that Gabriel Garcfa Marquex died from natural causes, not from disease.
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Re-Living the Second Chimurenga: Memories from Zimbabwe's Liberation Struggle

TL;DR: Fay Chung as discussed by the authors was a stalwart in ZANU-PF and a defence of the third chimurenga and the policies that have rocked Zimbabwe since the late 1990s, and was also quite the starry-eyed teenager eager to comment on freedom fighters' looks, clothes, and a range of social interactions worthy of exclamation marks.
Journal ArticleDOI

The Nucleation of White Zimbabwean Writing

TL;DR: The authors discusses the ways in which white writing in Zimbabwe finds itself marginalised from mainstream Zimbabwean literature owing to monological approaches which see the literary system as uniform, static and closed.
Dissertation

'should i stay or should i go?' zimbabwe's white writing, 1980 to 2011

TL;DR: This paper argued that white writing in Zimbabwe is characterized by multiplicity, simultaneity and instability; these are tropes developed from Bakhtin's understanding of utterances as characterized by a minimum of two voices, and the white narratives selected for examination in this thesis therefore exhibit crises of belonging that reflect the dialogic nature of existence.

The Kinds of Historical Fiction: An Essay in Definition and Methodology in Studies in the Novel.

J. W. Turner
TL;DR: This paper defined roman historique comme genre dans un continuum de la fiction au recit historique sous trois categories: le r. h. documentaire, deguise, invente, and romanesque.
References
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Book

A theory of literary production

TL;DR: In this paper, some elementary concepts such as self-criticism and judgement are discussed, along with a discussion of the role of the author in the development of the novel.
Journal ArticleDOI

Nationalist Historiography, Patriotic History and the History of the Nation: the Struggle over the Past in Zimbabwe

TL;DR: Patriotic history is an attempt to reach out to "youth" over the heads of their parents and teachers, all of whom are said to have forgotten or betrayed revolutionary values as mentioned in this paper.
Book ChapterDOI

The national longing for form

TL;DR: This article pointed out that despite its comparative quality and volume, Indo-English literature had no following comparable to that of Africa and the Caribbean, whereas social conflicts making news in those regions were enough to make their literatures a going issue.