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THE Anxiety of Authenticity: THE Historical Reception of Broken Blossoms (1919), Shanghai Express (1932) and The Good Earth (1937) in China
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This paper analyzed the authenticity principles connected to Hollywood's portrayal of China and the Chinese through three important American films screened or banned in China, including Broken Blossoms (1) and The Forbidden City (2).Abstract:
This article analyses the authenticity principles connected to Hollywood’s portrayal of China and the Chinese through three important American films screened or banned in China – Broken Blossoms (1...read more
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Embracing the East : white women and American orientalism
TL;DR: Yoshihara as mentioned in this paper examines a wide range of white women who were attracted to Japan and China in the late nineteenth and early twentieth century and shows how, through their engagement with Asia, these women found new forms of expression, power, and freedom that were often denied to them in other realms of their lives in America.
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Dianying: Electric Shadows. An Account of Films and the Film Audience in China.
Colin Mackerras,Jay Leyda +1 more
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Asian America through the lens : history, representations, and identity
TL;DR: Theories on Ethnicity and Film chapter 16 and Appendix: Theories on ethnicity and film chapter 16 Notes chapter 17 Bibliography chapter 18 Filmography chapter 19 Index
Journal Article
Soul Searching: Black-Themed Cinema from the March on Washington to the Rise of Blaxploitation
The Authenticity Feeling: Language and Dialect in the Historical Film
TL;DR: For the overwhelming majority of historical film makers and audiences, authenticity signifies a realistic historical experience, an effective suspension of temporal-spatial disbelief, a feeling, a form of perception and (supposed) knowledge as discussed by the authors.
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An Accented Cinema : Exilic and Diasporic Filmmaking
TL;DR: This dissertation aims to provide a history of web exceptionalism from 1989 to 2002, a period chosen in order to explore its roots as well as specific cases up to and including the year in which descriptions of “Web 2.0” began to circulate.
Book
Chinese national cinema
TL;DR: Yingjin Zhang as discussed by the authors examines how despite the pressures placed on the industry from state control and rigid censorship, Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.
Book
Embracing the East : white women and American orientalism
TL;DR: Yoshihara as mentioned in this paper examines a wide range of white women who were attracted to Japan and China in the late nineteenth and early twentieth century and shows how, through their engagement with Asia, these women found new forms of expression, power, and freedom that were often denied to them in other realms of their lives in America.
Journal ArticleDOI
Afterword: the future of the sociology of consumption
TL;DR: A survey of the sociological research agenda for the last decade in the UK can be found in this article, where Campbell's (1995) authoritative overview of key themes in the development of the sociology of consumption is presented.