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BookDOI

The Cambridge companion to contemporary Irish poetry

Matthew Campbell
- 01 Jan 2003 - 
- Vol. 29, Iss: 2, pp 83
TLDR
The history of Irish poetry can be traced back to the early 1970s, when the Northern Ireland Renaissance was represented by the poetry of Austin Clarke and John Goodby as discussed by the authors, and the Irish modernists and their legacy.
Abstract
Chronology 1. Ireland in poetry, 1999, 1949, 1969 Matthew Campbell 2. From Irish mode to modernisation: the poetry of Austin Clarke John Goodby 3. Patrick Kavanagh and anti-pastoral Jonathan Allison 4. Louis MacNiece: irony and responsibility Peter McDonald 5. The Irish modernists and their legacy Alex Davis 6. Poetry of the 1960s: the 'Northern Ireland Renaissance' Fran Brearton 7. Seamus Heaney and violence Dillon Johnston 8. Mahon and Longley: places and placelessness Terence Brown 9. Between two languages: contemporary poetry in Irish and English Frank Sewell 10. Boland, McGuckian, Ni Chuilleanain and the body of the nation Guinn Batten 11. Sonnets, centos, and long lines: Muldoon, Paulin, McGuckian and Carson Shane Murphy 12. Performance and dissent: Irish poets in the public sphere Lucy Collins 13. Irish poets and the world Robert Faggen 14. Irish poetry into the twenty-first century David Wheatley.

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Book ChapterDOI

The gender of modernity

Ann Ardis
TL;DR: For instance, the authors focus on the dramatic transformations of worldviews and philosophies encompassed by the still broader term "modernity" (see, e.g., Section 5.2.1).
Book ChapterDOI

Old English poetry

TL;DR: The most prominent success was Seamus Heaney's verse translation of Beowulf in 1999, a volume which won prizes in competition not only with other poetry books but with books in all literary categories.
Book ChapterDOI

Literature and cinema

Laura Marcus
TL;DR: The impact of cinema on early twentieth-century literary and, more broadly, cultural consciousness has, until recently, been neglected Yet to look back at the period is to find that film consciousness was everywhere In 1928, Kenneth Macpherson, co-editor of the avant-garde film journal Close Up, wrote: ‘The cinema has become so much a habit of thought and word and deed as to make it impossible to visualize modern consciousness without it' as mentioned in this paper.
BookDOI

Third-generation Romantic Poetry: Beddoes, Clare, Darley, Hemans, Landon

TL;DR: It is a melancholy thought that poets of the 1820s and 1830s have often been defined by what they were not, by what almost were, but failed to be as mentioned in this paper.