Journal ArticleDOI
The Egyptian Empire in Palestine: a Reassessment
TLDR
In this paper, Albright expressed this viewpoint clearly in his classic work, The Archaeology of Palestine: the beginning of the Late Bronze Age witnessed the rise of the Egyptian empire in Western Asia.Abstract:
The beginning of the Late Bronze Age witnessed the rise of the Egyptian empire in Western Asia. Much has been written about the Palestinian segment of this empire, with Egyptian control in this area often being seen as a more or less continuous military, political, and economic domination throughout the Late Bronze Age. W. F. Albright expressed this viewpoint clearly in his classic work, The Archaeology of Palestine:read more
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Climate Changes during the Holocene and their Impact on Hydrological Systems
TL;DR: In this article, the authors discuss climate changes in the Levant during the Late Quaternary and during the Holocene in Europe, Africa and Asia during the last few decades of the 20th century.
Journal ArticleDOI
The rise of secondary states in the iron age levant
TL;DR: In this paper, the formation of states during the Iron Age of the eastern Mediterranean, with particular emphasis on the Levantine states of Israel, Judah, Ammon, and Moab, is examined.
Journal ArticleDOI
Absolute Chronology of Megiddo, Israel, in the Late Bronze and Iron Ages: High-Resolution Radiocarbon Dating
TL;DR: The authors presented a Bayesian chronological model for seven ceramic typology phases and 10 stratigraphic horizons at Megiddo, covering the Late Bronze and much of the Iron Age.
Book
Writing as Material Practice
TL;DR: This article explored the artefactual nature of writing and the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making.
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BookDOI
The Cambridge ancient history.
TL;DR: The Fifth Century (covering in effect 478-404 B.C.) is a substantial book and a reviewer who has read it from cover to cover (ineluctably, but with a faint sense of absurdity, for what normal reader will do the same?) harbours the uncomfortable conviction that it is now time to begin again, like painting the Forth Bridge as discussed by the authors.