Journal ArticleDOI
The Third Reich: Politics and Propaganda
TLDR
The Third Reich: Politics and Propaganda as discussed by the authors is an excellent overview of the Third Reich's political and propaganda history, focusing on the role of women and women's political power.Abstract:
(1994). The Third Reich: Politics and Propaganda. History: Reviews of New Books: Vol. 22, No. 2, pp. 71-71.read more
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Journal ArticleDOI
Propaganda and Conflict: Evidence from the Rwandan Genocide
TL;DR: In this paper, the authors investigated the role of mass media in times of conflict and state-sponsored mass violence against civilians and found that the broadcasts had a significant effect on participation in killings by both militia groups and ordinary civilians.
Journal Article
Landscapes, Memory, Monuments, and Commemoration: Putting Identity in Its Place
TL;DR: This article examined how Canada has invented itself through strategies that have attempted to integrate a people separated by geography, history, ethnicity, class, and gender in the complex setting of two founding national-cultures, an expansionist neighbour, and a pro-immigration policy.
The Western Allied project to denazify Third Reich feature film stock
TL;DR: The denazification of feature film legacy of the Third Reich has been examined in this article along a chronological and comparative line, with a focus on the three Allied powers that occupied West Germany from 1945 to 1955.
Posted Content
Propaganda and Conflict: Theory and Evidence from the Rwandan Genocide
TL;DR: This article investigated the impact of propaganda on participation in violent con- ict and found that Radio RTLM increased participation in ethnic violence, while decreasing ethnic polarization, highly non-linear in radio coverage, and decreas- ing in literacy rates.
Dissertation
The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45)
TL;DR: In this paper, an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end in 1946, in terms of the creation of institutions for the propagation of New Music, in the form of festivals, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period.
References
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Journal ArticleDOI
Propaganda and Conflict: Evidence from the Rwandan Genocide
TL;DR: In this paper, the authors investigated the role of mass media in times of conflict and state-sponsored mass violence against civilians and found that the broadcasts had a significant effect on participation in killings by both militia groups and ordinary civilians.
Journal Article
Landscapes, Memory, Monuments, and Commemoration: Putting Identity in Its Place
TL;DR: This article examined how Canada has invented itself through strategies that have attempted to integrate a people separated by geography, history, ethnicity, class, and gender in the complex setting of two founding national-cultures, an expansionist neighbour, and a pro-immigration policy.
The Western Allied project to denazify Third Reich feature film stock
TL;DR: The denazification of feature film legacy of the Third Reich has been examined in this article along a chronological and comparative line, with a focus on the three Allied powers that occupied West Germany from 1945 to 1955.
Posted Content
Propaganda and Conflict: Theory and Evidence from the Rwandan Genocide
TL;DR: This article investigated the impact of propaganda on participation in violent con- ict and found that Radio RTLM increased participation in ethnic violence, while decreasing ethnic polarization, highly non-linear in radio coverage, and decreas- ing in literacy rates.
Dissertation
The reconstruction of post-war West German new music during the early allied occupation (1945-46), and its roots in the Weimar Republic and Third Reich (1918-45)
TL;DR: In this paper, an analysis of the development of new music in occupied Germany from the end of World War Two, on 8 May 1945, until the end in 1946, in terms of the creation of institutions for the propagation of New Music, in the form of festivals, concert series, radio stations, educational institutions and journals focusing on such a field, alongside an investigation into technical and aesthetic aspects of music being composed during this period.