Journal ArticleDOI
Virginia Woolf on the Outside Looking Down: Reflections on the Class of Women
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In this paper, the contradiction politique/esthetique et les limites du feminisme woolfien are discussed, and the preface of Life as We Have Known It is given.Abstract:
Sur la contradiction politique/esthetique et les limites du feminisme woolfien. Lecture de Three Guineas et la preface de Life as We Have Known Itread more
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Virginia Woolf, the Intellectual, and the Public Sphere
TL;DR: Woolf and the classless intellectual: Woolf, English studies and the making of the (new) common reader as mentioned in this paper, and the theory and pedagogy of reading.
Dissertation
The modernist anti-mental : literary life-writing, neurology and medical psychology, 1860-1939
Journal ArticleDOI
Using models of lexical style to quantify free indirect discourse in modernist fiction
TL;DR: It is confirmed that free indirect discourse does, at a stylistic level, reflect a mixture of narration and direct speech, and the extent to which social attributes of the various characters are reflected in their lexical stylistic profile is investigated.
Journal ArticleDOI
Virginia Woolf's "cotton wool of daily life"
TL;DR: Woolf's prose has frequently been called poetic, a description that alludes to the rhythm and sound of her sentences, the lyric plotlessness of her novels, and the self-conscious interiority of her characters as mentioned in this paper.
References
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Distinction: A Social Critique of the Judgement of Taste
TL;DR: In this article, a social critic of the judgement of taste is presented, and a "vulgar" critic of 'pure' criticiques is proposed to counter this critique.
Book
Virginia Woolf and the real world
TL;DR: Zwerdling's work as discussed by the authors places Virginia Woolf's world of class, politics, feminism, pacifism, and the family into a firm historical perspective and leaves us with renewed appreciation for Woolf and for her mind.
Book
The Servant's Hand: English Fiction from Below
TL;DR: The Servant's Hand as discussed by the authors examines the representation of servants in nineteenth-century British fiction and argues that their persistence signals more than the absence of the ordinary people they are taken to represent.