Open AccessJournal Article
Wider Boundaries of Daring: The Modernist Impulse in Canadian Women's Poetry
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This article is published in British Journal of Canadian Studies.The article was published on 2011-07-01 and is currently open access. It has received 3 citations till now. The article focuses on the topics: Poetry.read more
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Mother Russia and the Socialist Fatherland: Women and the Communist Party of Canada, 1932-1941, with specific reference to the activism of Dorothy Livesay and Jim Watts
TL;DR: The authors traces a shift in the Communist Party of Canada, from the 1929 to 1935 period of militant class struggle (generally known as the Third Period) to the 1935-1939 Popular Front Against Fascism, a period in which Communists argued for unity and cooperation with social democrats.
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Anti-modernist Paradox in Canada: The Graphic Publishers (1925-32) and the Case of Madge Macbeth
TL;DR: This article argued that the anti-modernist paradox that characterizes the material culture of Graphic Publishers emerges not only from the nationalist sentiment of the interwar period, but also from the company's distance from Toronto, the traditional geographical centre of Canadian publishing; Macbeth's similarly compromised position as an author is likewise a crucial factor in her employment of the paradoxical formulations of anti-Modernism.
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Mother Russia and the Socialist Fatherland: Women and the Communist Party of Canada, 1932-1941, with specific reference to the activism of Dorothy Livesay and Jim Watts
TL;DR: The authors traces a shift in the Communist Party of Canada, from the 1929 to 1935 period of militant class struggle (generally known as the Third Period) to the 1935-1939 Popular Front Against Fascism, a period in which Communists argued for unity and cooperation with social democrats.
Journal ArticleDOI
Anti-modernist Paradox in Canada: The Graphic Publishers (1925-32) and the Case of Madge Macbeth
TL;DR: This article argued that the anti-modernist paradox that characterizes the material culture of Graphic Publishers emerges not only from the nationalist sentiment of the interwar period, but also from the company's distance from Toronto, the traditional geographical centre of Canadian publishing; Macbeth's similarly compromised position as an author is likewise a crucial factor in her employment of the paradoxical formulations of anti-Modernism.