Yeni Gerçekçilik Bağlamında Yves Klein ve Fernandez Arman’ın Boşluk ve Doluluk Sergileri

TLDR: Within the context of Neo-Realism Space and Full-Up Exhibitions of Yves Klein and Fernandez Arman, two important exhibition questioning the object and the meaning attributed to the object is being reviewed within the framework of NeoRealism trend as discussed by the authors.

Abstract: Period after 1960, while having the characteristics of being the process where scientific, technological and social changes are often being appeared also contains many significant art trends in itself. Within that subject period, opinions and decisions regarding art are being reconsidered by frequently * Ar. Gor, Yildiz Teknik Universitesi, Sanat ve Tasarim Fakultesi, Sanat Bolumu, bboyraz@yildiz.edu.tr * Mimar Sinan Guzel Sanatlar Universitesi, Sosyal Bilimleri Enstitusu, Muzecilik Yuksek Lisans Programi, acanturk7@hotmail.com used objects (ready-made objects) in daily life converting into art objects. Furthermore, artists of that period who place emphasis on the importance of contemporary world and considers opinion and thought in formation process of art object also as the part of artwork, came into prominence with their other activities besides their artworks. Also in this study named “Within the Context of Neo-Realism Space and Full-Up Exhibitions of Yves Klein and Fernandez Arman”, two important exhibition questioning the object and the meaning attributed to the object is being reviewed within the framework of Neo-Realism trend. The first exhibition was “Space” by Yves Klein in 1958, Iris Clert Gallery and the other was “Full-Up” in the same gallery in 1960 by Fernandez Arman. Subject exhibitions prepared by those two artists who can use more than one discipline and technical expression together, caused the requestioning of borders directed towards space and full-up concepts within their periods.