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Showing papers on "Lyricism published in 1976"


Book
29 Jan 1976
TL;DR: This paper present a critical survey of the development and achievements of modern Arabic poetry, here signifying the period from the latter half of the nineteenth century to the present day, including a discussion of the work of poets who emigrated to the United States and Latin America.
Abstract: This book is the first critical survey of the development and achievements of 'modern' Arabic poetry, here signifying the period from the latter half of the nineteenth century to the present day. It ranges over the entire Arabic-speaking world and includes a discussion of the work of poets who emigrated to the United States and Latin America. Four main stages are examined in the development of a specifically modern Arabic poetry: the 'neoclassical', in which poets turned to their literary heritage for their ideals and inspiration; the pre-romantic', which was marked by a tension between a modified classical style and new romantic sentiments, itself the reflection of a wider cultural movement towards change and modernization; the 'romantic', in which the tensions between form and content were resolved, and a lyricism and simplicity of language become the norm; and the 'modern' or 'contemporary' which is typified by a reaction against romanticism, and dominated by either committed social realism or symbolism and surrealism. In the absence of any similar published work in a European language, the book, as well as being designed for students of Arabic literature and of comparative literature, will also be of interest to the general reader. No knowledge of Arabic is presupposed: all the verse (newly translated by the author) is given in English translation, and technical terminology has been reduced to a minimum.

37 citations


Book
01 Jan 1976
TL;DR: The "Ramayana" and "Mahabharata" as discussed by the authors are two Sanskrit verse epics written some 2,000 years ago, and the latter is the longest Indian epic ever composed.
Abstract: Few works in world literature have inspired so vast an audience, in nations with radically different languages and cultures, as the "Ramayana and "Mahabharata, two Sanskrit verse epics written some 2,000 years ago. In "Ramayana (written by a poet known to us as Valmiki), William Buck has retold the story of Prince Rama--with all its nobility of spirit, courtly intrigue, heroic renunciation, fierce battles, and triumph of good over evil--in a length and manner that will make the great Indian epics accessible to the contemporary reader. The same is true for the "Mahabharata--in its original Sanskrit, probably the longest Indian epic ever composed. It is the story of a dynastic struggle, between the Kurus and Pandavas, for land. In his introduction, Sanskritist B. A. van Nooten notes, "Apart from William Buck's rendition [no other English version has] been able to capture the blend of religion and martial spirit that pervades the original epic." Presented accessibly for the general reader without compromising the spirit and lyricism of the originals, William Buck's "Ramayana and "Mahabharata capture the essence of the Indian cultural heritage.