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Amy C. Hammock

Researcher at Stony Brook University

Publications -  18
Citations -  261

Amy C. Hammock is an academic researcher from Stony Brook University. The author has contributed to research in topics: Poison control & Domestic violence. The author has an hindex of 5, co-authored 16 publications receiving 214 citations. Previous affiliations of Amy C. Hammock include University of Michigan.

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Does the Life History Calendar Method Facilitate the Recall of Intimate Partner Violence? Comparison of Two Methods of Data Collection

TL;DR: Freedman et al. as mentioned in this paper compared two methods of collecting data regarding lifetime experience of intimate partner violence: the Life History Calendar (LHC) method and a commonly used structured interview using behavior-specific questions.
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Intimate Partner Violence Prevention Program in an Asian Immigrant Community Integrating Theories, Data, and Community

TL;DR: The authors developed an IPV prevention program, called the Shanti Project, in an Asian Indian community in the Midwest that created a communications campaign that combined social marketing and community-based participatory approaches.
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Intimate partner violence, welfare receipt, and health status of low-income african american women: a lifecourse analysis.

TL;DR: In this article, Freedman et al. found that previous experience of intimate partner violence increased women's odds of receiving welfare benefits in a given year, but previous welfare receipt did not.
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The self-management experience of patients with type 2 diabetes and chronic kidney disease: A qualitative study.

TL;DR: This exploratory study of patients with type 2 diabetes and chronic kidney disease describes barriers and supports to self-management and emotional reactions to Chronic kidney disease status.
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Identity Construction through Theatrical Community Practice

TL;DR: In this paper, the authors describe how participation as performers in a play to prevent dating violence constructed youths' identities as survivors of violence and reveal that the process of identity construction through theatrical community practice occurred in three overlapping phases: first, learning the language to name the identity; next, embodying a character experiencing dating violence; and third, publicly claiming the identity in group interaction with audience members.