Brains, it has recently been argued, are essentially prediction machines. They are bundles of cells that support perception and action by constantly attempting to match incoming sensory inputs with top-down expectations or predictions. This is achieved using a hierarchical generative model that aims to minimize prediction error within a bidirectional cascade of cortical processing. Such accounts offer a unifying model of perception and action, illuminate the functional role of attention, and may neatly capture the special contribution of cortical processing to adaptive success. This target article critically examines this "hierarchical prediction machine" approach, concluding that it offers the best clue yet to the shape of a unified science of mind and action. Sections 1 and 2 lay out the key elements and implications of the approach. Section 3 explores a variety of pitfalls and challenges, spanning the evidential, the methodological, and the more properly conceptual. The paper ends (sections 4 and 5) by asking how such approaches might impact our more general vision of mind, experience, and agency.

/pdf/whatever-next-predictive-brains-situated-agents-and-the-epj56cs868.pdf

Whatever next? Predictive brains, situated agents, and the future of cognitive science

https://apps.dtic.mil/sti/pdfs/ADA157550.pdf

The TRACE model of speech perception.

https://blogs.umass.edu/jkingstn/files/2013/12/liberman_mattingly_1985_cognition.pdf

The motor theory of speech perception revised

The development of reading depends on phonological awareness across all languages so far studied. Languages vary in the consistency with which phonology is represented in orthography. This results in developmental differences in the grain size of lexical representations and accompanying differences in developmental reading strategies and the manifestation of dyslexia across orthographies. Differences in lexical representations and reading across languages leave developmental “footprints” in the adult lexicon. The lexical organization and processing strategies that are characteristic of skilled reading in different orthographies are affected by different developmental constraints in different writing systems. The authors develop a novel theoretical framework to explain these cross-language data, which they label a psycholinguistic grain size theory of reading and its development.

Reading acquisition, developmental dyslexia, and skilled reading across languages: a psycholinguistic grain size theory.

We propose that aesthetic pleasure is a function of the perceiver’s processing dynamics: The more fluently perceivers can process an object, the more positive their aesthetic response. We review variables known to influence aesthetic judgments, such as figural goodness, figure–ground contrast, stimulus repetition, symmetry, and prototypicality, and trace their effects to changes in processing fluency. Other variables that influence processing fluency, like visual or semantic priming, similarly increase judgments of aesthetic pleasure. Our proposal provides an integrative framework for the study of aesthetic pleasure and sheds light on the interplay between early preferences versus cultural influences on taste, preferences for both prototypical and abstracted forms, and the relation between beauty and truth. In contrast to theories that trace aesthetic pleasure to objective stimulus features per se, we propose that beauty is grounded in the processing experiences of the perceiver, which are in part a function of stimulus properties.

/pdf/processing-fluency-and-aesthetic-pleasure-is-beauty-in-the-16nzkkz4gn.pdf

Processing Fluency and Aesthetic Pleasure: Is Beauty in the Perceiver's Processing Experience?

Sensorimotor synchronization (SMS), the rhythmic coordination of perception and action, occurs in many contexts, but most conspicuously in music performance and dance. In the laboratory, it is most often studied in the form of finger tapping to a sequence of auditory stimuli. This review summarizes theories and empirical findings obtained with the tapping task. Its eight sections deal with the role of intention, rate limits, the negative mean asynchrony, variability, models of error correction, perturbation studies, neural correlates of SMS, and SMS in musical contexts. The central theoretical issue is considered to be how best to characterize the perceptual information and the internal processes that enable people to achieve and maintain SMS. Recent research suggests that SMS is controlled jointly by two error correction processes (phase correction and period correction) that differ in their degrees of cognitive control and may be associated with different brain circuits. They exemplify the general distinction between subconscious mechanisms of action regulation and conscious processes involved in perceptual judgment and action planning.

/pdf/sensorimotor-synchronization-a-review-of-the-tapping-6l3co3nmqj.pdf

Sensorimotor synchronization: a review of the tapping literature.

Sensorimotor synchronization (SMS) is the coordination of rhythmic movement with an external rhythm, ranging from finger tapping in time with a metronome to musical ensemble performance. An earlier review (Repp, 2005) covered tapping studies; two additional reviews (Repp, 2006a, b) focused on music performance and on rate limits of SMS, respectively. The present article supplements and extends these earlier reviews by surveying more recent research in what appears to be a burgeoning field. The article comprises four parts, dealing with (1) conventional tapping studies, (2) other forms of moving in synchrony with external rhythms (including dance and nonhuman animals’ synchronization abilities), (3) interpersonal synchronization (including musical ensemble performance), and (4) the neuroscience of SMS. It is evident that much new knowledge about SMS has been acquired in the last 7 years.

/pdf/sensorimotor-synchronization-a-review-of-recent-research-ymvlozhb1e.pdf

Sensorimotor synchronization: A review of recent research (2006–2012)

Phonetic trading relations and context effects : new experimental evidence for a speech mode of perception

This study attempts to characterize the temporal commonalities and differences among distinguished pianists’ interpretations of a well‐known piece, Robert Schumann’s ‘‘Traumerei.’’ Intertone onset intervals (IOIs) were measured in 28 recorded performances. These data were subjected to a variety of statistical analyses, including principal components analysis of longer stretches of music and curve fitting to series of IOIs within brief melodic gestures. Global timing patterns reflected the hierarchical grouping structure of the composition, with pronounced ritardandi at the ends of major sections and frequent expressive lengthening of accented tones within melodic gestures. Analysis of local timing patterns, particularly of within‐gesture ritardandi, revealed that they often followed a parabolic timing function. The major variation in these patterns can be modeled by families of parabolas with a single degree of freedom. The grouping structure, which prescribes the location of major tempo changes, and the ...

http://www.haskins.yale.edu/sr/SR111/sr111_19.pdf

Bruno H. Repp

Papers

Sensorimotor synchronization: a review of the tapping literature.

Sensorimotor synchronization: A review of recent research (2006–2012)

Phonetic trading relations and context effects : new experimental evidence for a speech mode of perception

Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’

Categorical Perception: Issues, Methods, Findings