B
Bruno H. Repp
Researcher at Haskins Laboratories
Publications - 234
Citations - 13953
Bruno H. Repp is an academic researcher from Haskins Laboratories. The author has contributed to research in topics: Finger tapping & Speech perception. The author has an hindex of 60, co-authored 234 publications receiving 13063 citations. Previous affiliations of Bruno H. Repp include Radboud University Nijmegen & Rutgers University.
Papers
More filters
Journal ArticleDOI
Relative amplitude of aspiration noise as a voicing cue for syllable-initial stop consonants.
TL;DR: The present experiments demonstrate that amplitude of aspiration noise is a cue for the distinction between voiced and voiceless syllable-initial stop consonants in English, and that it can be traded for voice onset time (VOT).
Journal ArticleDOI
Perceiving Action Identity How Pianists Recognize Their Own Performances
Bruno H. Repp,Günther Knoblich +1 more
TL;DR: The hypothesis that an observer's action system is most strongly activated during perception of self-produced actions is explained by the hypothesis that the remaining information was sufficient for self-recognition.
Journal ArticleDOI
Spectral decomposition of variability in synchronization and continuation tapping: Comparisons between auditory and visual pacing and feedback conditions
TL;DR: There seem to be at least two sources of variability in synchronization, one being modality-independent and limited to intervals shorter than 3 s, and the other being modalities-dependent and evident as slow "drift", especially in the visual task.
Journal ArticleDOI
A microcosm of musical expression. I. Quantitative analysis of pianists' timing in the initial measures of Chopin's Etude in E major
TL;DR: Patterns of expressive timing were measured in bars 1-5 of 115 commercially recorded performances of Chopin's Etude in E major, op. 10, No. 3, and a wide variety of combinations was represented, and no two individual patterns were exactly the same.
Journal ArticleDOI
Patterns of expressive timing in performances of a Beethoven minuet by nineteen famous pianists.
TL;DR: The timing patterns of 19 complete performances of the third movement of Beethoven's Piano Sonata op. 31, No. 3, were measured from oscillograms and analyzed statistically as discussed by the authors.