C
C. Ilett
Researcher at University of Oxford
Publications - 9
Citations - 191
C. Ilett is an academic researcher from University of Oxford. The author has contributed to research in topics: Acoustic microscopy & Scanning acoustic microscope. The author has an hindex of 6, co-authored 9 publications receiving 190 citations.
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Journal ArticleDOI
Acoustic Microscopy of Elastic Discontinuities
TL;DR: In the reflection-scanning acoustic microscope, interference fringes may be obtained from cracks and grain boundaries running at an angle to the surface as discussed by the authors, which confirms the dominant role played by Rayleigh waves in the contrast in acoustic microscopy.
Journal ArticleDOI
The effect of elastic anisotropy on contrast in the scanning acoustic microscope
TL;DR: In this paper, the contrast obtained with polycrystalline specimens in the scanning acoustic microscope is computed by taking account of the anisotropic stiffness tensor, and the resulting variation of signal with defocus is fundamentally different from that which could be obtained with an isotropic material regardless of the values of the elastic properties.
Journal ArticleDOI
Applications of the Scanning Reflection Acoustic Microscope to the Study of Materials Science
TL;DR: In this paper, a range of reflection acoustic micrographs that demonstrate how different contrast mechanisms can lead to images useful in materials science are discussed and conditions necessary for the production of various types of image are discussed, in terms of the elastic properties of and the boundary conditions close to the feature of interest.
Book ChapterDOI
Acoustic Microscopy for Materials Studies
TL;DR: The purpose of the work is to discover applications in materials studies for which acoustic microscopy is suitable, and then to exploit the technique in tackling problems in those areas.
Journal ArticleDOI
Acoustic microscopy of solid materials
TL;DR: In this paper, a Rayleigh wave profile of the depth sampled corresponds to the depth profile of a polycrystalline material, and the contrast must be understood in terms of its variation with defocus.