C
Christèle Boulaire
Researcher at Laval University
Publications - 12
Citations - 391
Christèle Boulaire is an academic researcher from Laval University. The author has contributed to research in topics: The Internet & Creativity. The author has an hindex of 8, co-authored 12 publications receiving 381 citations.
Papers
More filters
Journal ArticleDOI
A stakeholder approach to MCDA
TL;DR: In this paper, the concept of stakeholder is proposed to be more directly incorporated into any multiple criteria decision aid (MCDA) approach, in order to take the systemic socio-political aspects of the decision processes into account.
Journal ArticleDOI
Freins et motivations à l'utilisation d'Internet : Une exploration par le biais de métaphores:
TL;DR: In this paper, an empirique empirique s'interesse aux freins et motivations des non-utilisateurs d'Internet face a l'innovation que constituent les autoroutes de l'information and a leur contenu commercial.
Journal ArticleDOI
Marketing relationnel: la carte d'anniversaire revisitée
TL;DR: In this article, a compagnie peut-elle/doit-elle initier un marketing relationnel en entrant dans l'intimite de ses consommateurs.
Journal ArticleDOI
The dynamics and trajectory of creative consumption practices as revealed by the postmodern game of geocaching
Christèle Boulaire,Bernard Cova +1 more
TL;DR: In this article, a comprehensive exploration of the no-limits post-modern game of geocaching is presented, which sheds light on the dynamics and trajectory of creative consumption practices, revealing how they overlap with other practices, the process of contamination they result in and the way they foster dynamic and playful embedded selves of consumers and actors involved in this process.
Journal ArticleDOI
Creativity chains and playing in the crossfire on the video‐sharing site YouTube
TL;DR: In this paper, the authors analyse how individual creativity of internet users is expressed in the production of online music videos and how the creative dynamic among amateur internet video producers can be characterized, showing that the collective creative force is not expressed merely through the semantic and non-semantic montages that make internet users into postmodern tinkerers, but also through such mechanisms as imitation, diversification and ornamentation.