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Showing papers by "Dean Keith Simonton published in 2010"


Journal ArticleDOI
TL;DR: This article reviews the developments that have taken place in the half century that has elapsed since Campbell (1960) proposed that creative thought should be conceived as a blind-variation and selective-retention process (BVSR), with special focus on the use of combinatorial models as formal representations of the general theory.

198 citations


Book ChapterDOI
01 Aug 2010

72 citations


Journal ArticleDOI
TL;DR: In this paper, the fundamental factors that promote highly influential creativity and how do these factors differ in Western and Far Eastern civilizations were investigated using historical and biographical data to objective and quantitative analyses, and the empirical findings in each of these two approaches fall into two categories of East-West comparisons.
Abstract: What are the fundamental factors that promote highly influential creativity? How do these factors differ in Western and Far Eastern civilizations? Many researchers have addressed these questions using historiometrics, a method that tests nomothetic hypotheses about human behaviour by subjecting historical and biographical data to objective and quantitative analyses. These investigations may entail either aggregate-level analyses (e.g., generational time series of creative activity) or individual-level analyses (e.g., cross-sectional studies of creative achievement). Moreover, the empirical findings in each of these two approaches fall into two categories of East-West comparisons: (i) shared variables and convergent results and (ii) shared variables and divergent results. After reviewing representative findings in each of these categories, we discuss what the results imply about the nature of high-impact creativity in the East and West and also explore areas of potential future historiometric research.

59 citations


Journal ArticleDOI
TL;DR: In this paper, the authors examined the association between versatility and the personalities of eminent creators and the topical diversity of their creative products and found that versatile creators produce works with greater topical diversity than did their non-versatile counterparts.
Abstract: Creative individuals are considered versatile when their achievements extend beyond their most commonly cited domain, thus indicating remarkable and varied interests and abilities The present study examined the association between versatility and (a) the personalities of eminent creators and (b) the topical diversity of their creative products The main sample consisted of 67 eminent scientists, creative writers, philosophers, and scholars drawn from the history of Western Civilization, with a subsample of 38 creators obtaining observer-based scores on openness to experience Versatile creators were found to have produced works with greater topical diversity than did their non-versatile counterparts In addition, topical diversity was positively associated with openness These relationships varied according to the domain of creative achievement

37 citations


Book ChapterDOI
01 Jun 2010
Abstract: Please allow me to begin this chapter with an autobiographical observation: I have been conducting scientific research on creativity and genius – and especially creative genius – since the early 1970s. During the first quarter century of my career, I was often hard pressed to justify my research program (Simonton, 2002). Although the subject had once attracted the attention of such great psychologists as Francis Galton, James McKeen Cattell, Lewis M. Terman, and Edward L. Thorndike, the topic had become marginalized relative to mainstream research in psychology. Toward the end of the twentieth century, though, an unexpected event altered the status of my endeavors: the positive psychology movement. Martin Seligman, Mihaly Csikszentmihalyi, and others argued that it was time for psychologists to study human strengths and virtues rather than human weaknesses and vices (for instance, Seligman & Csikszentmihalyi, 2000). Besides suggesting new topics for psychological inquiry, the proponents of positive psychology also decided to co-opt already ongoing investigations as representative of the movement. Somewhat to my surprise, creativity, genius, and creative genius were added to the growing inventory of representative subjects for positive psychological studies. As a result, I began to receive invitations to give talks at positive psychology conferences and to write chapters for handbooks and anthologies devoted to the emerging field (for instance, Cassandro & Simonton, 2002). Now I probably should not complain about seeing my life's work get enhanced attention. And I certainly relished the free trips to conferences and the additional publications in my curriculum vitae.

31 citations


Journal ArticleDOI
TL;DR: Both positive and negative comments are discussed with the aim of stimulating future theoretical and empirical research on BVSR models of creativity, including combinatorial models.

13 citations


Journal ArticleDOI
TL;DR: In this article, the authors compare Little Science to Big Science Big Scientists to Little Scientists: Gifted and Talented International: Vol 25, No 1, pp 27-29.
Abstract: (2010) Little Science to Big Science Big Scientists to Little Scientists? Gifted and Talented International: Vol 25, No 1, pp 27-29

3 citations




Book ChapterDOI
01 Jan 2010

1 citations