Showing papers by "Ina Reiche published in 2023"
TL;DR: In this paper , the authors performed ion beam analysis (PIXE/PIGE) at the microfocus beamline of the accelerator NewAGLAE at C2RMF and micro-X-ray fluorescence (XRF) mappings at the PUMA beamline at synchrotron SOLEIL.
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TL;DR: In this paper , a case study of a fifteenth-century French painting studied during its restoration, the efficiency of a combined non-invasive approach of two-dimensional scanning macro-X-ray fluorescence imaging (MA-XRF) and a laboratory-based depth-resolved confocal micro X-ray fluororescence (CXRF), which can give direct information on the stratigraphy of paint layers, can reduce the sampling needed, as well as increase the locations analyzed.
Abstract: Abstract Historical paintings with important iconographical changes represent an analytical challenge. Considering the case study of a fifteenth-century French painting studied during its restoration, the efficiency of a combined noninvasive approach of two-dimensional scanning macro-X-ray fluorescence imaging (MA-XRF) and a laboratory-based depth-resolved confocal micro-X-ray fluorescence (CXRF) is discussed. Large chemical maps of several elements were obtained by MA-XRF, enabling the identification of zones of interest representing changes in the painting composition. In these areas, depth profiles were measured with CXRF, allowing to evidence overlaying paint layers. The advantages of this technique are that it can give direct information on the stratigraphy of paint layers in a nondestructive way and can reduce the sampling needed, as well as increase the locations analyzed (in our study twenty-two depth-resolved scans). These results complement information obtained by scanning electron microscopy coupled with an energy-dispersive X-ray analyzing system (SEM–EDX) on three cross-sectional samples taken in the areas of interest. Additionally, the three cross sections of the painting were studied by CXRF lateral scans (y) in order to evaluate the efficiency of the CXRF analyses against SEM–EDX. The study shows the benefits of the combination of MA-XRF and CXRF for analyzing painting compositions, as such a high number of cross sections would have been impossible to sample. From an art-historical and conservation perspective, this combined study provides an understanding of the original painting’s paint sequence and its later retouches, helping to make informed conservation treatment decisions. Graphic Abstract
TL;DR: In this paper , the authors present a system that combines x-ray fluorescence (XRF), reflectance imaging spectroscopy (RIS) and LIS (Luminescence Imaging Spectroscopy) to generate spatially aligned hyperspectral datasets.
Abstract: Scanning x-ray fluorescence (MA-XRF), Reflectance Imaging Spectroscopy (RIS) and Luminescence Imaging Spectroscopy (LIS) are scientific methods extensively used in the investigation of artworks in Cultural Heritage Science. Nevertheless, these three highly complementary imaging methods have never been implemented in a single instrument. In this paper, we present a scanning system that is the first to simultaneously combine MA-XRF, RIS, and LIS techniques, generating spatially aligned hyperspectral datasets. The specifications of the instrument and of the collected datacubes are described, together with the processing pipeline developed for the coupled exploitation and interpretation. The operation of this instrument, combining XRF with RIS and LIS mapping in an extended range (400–2500 nm and 200–1000 nm, respectively), is exemplified on an anonymous test painting, studied previously. A focus on a restored area of this painting allows to illustrates the complementarity of the three aforementioned methods, for the visualization and characterization of pigments, varnish, and binders.