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Narrative Methods for the Human Sciences

The Visual Display of Quantitative Information

Richard Rorty's Philosophy and the Mirror of Nature brings to light the deep sense of crisis within the profession of academic philosophy which is similar to the paralyzing pluralism in contemporary theology and the inveterate indeterminacy of literary criticism. Richard Rorty's provocative and profound meditations impel philosophers to examine the problematic status of their discipline— only to discover that modern European philosophy has come to an end. Rorty strikes a deathblow to modern European philosophy by telling a story about the emergence, development and decline of its primary props: the correspondence theory of truth, the notion of privileged representations and the idea of a self-reflective transcendental subject. Rorty's fascinating tale—his-story —is regulated by three fundamental shifts which he delineates in detail and promotes in principle: the move toward anti-realism or conventionalism in ontology, the move toward the demythologizing of the Myth of the Given or anti-foundationalism in epistemology, and the move toward detranscendentalizing the subject or dismissing the mind as a sphere of inquiry. The chief importance of Rorty's book is that it brings together in an original and intelligible narrative the major insights of the patriarchs of postmodern American philosophy—W. V. Quine, Wilfred Sellars, and Nelson Goodman— and persuasively presents the radical consequences of their views for contemporary philosophy. Rorty credits Wittgenstein, Heidegger and Dewey for having "brought us into a period of 'revolutionary' philosophy" by undermining the prevailing Cartesian and Kantian paradigms and advancing new conceptions of philosophy. And these monumental figures surely inspire Rorty. Yet, Rorty's philosophical debts—the actual sources of his particular anti-Cartesian and antiKantian arguments—are Quine's holism, Sellars' anti-foundationalism, and Goodman's pluralism. In short, despite his adamant attack on analytical philosophy—the last stage of modern European philosophy—Rorty feels most comfortable with the analytical form of philosophical argumentation (shunned by Wittgenstein and Heidegger). From the disparate figures of Wittgenstein, Heidegger, and Dewey, Rorty gets a historicist directive: to eschew the quest for certainty and the search for foundations.

Philosophy and the Mirror of Nature

but the threat they bring to artistic culture. From his opening mockery of the literary establishment’s tendency to theorize the world in terms of desire or gender to his disapproval of those who venerate art while denying its validity in the same breath, Jonathan Dollimore has created an easily understood, albeit at times too theoretical, synthesis of the literary and the experiential in Sex, Literature and Censorship. His arguments on critical theory do not necessarily reject the concept of theory; rather, he argues that critical theorists should strive to understand the contradictions within our lives and our literature and explore the daemonic power of the subjects that offend our sense of tradition.

Multimodal Discourse: The Modes and Media of Contemporary Communication:

หนงสอ Behavioral Game Theory: Experiments in Strategic Interaction เขยนโดย Colin F. Camerer มวตถประสงคเพอนำเสนอหลกฐานเชงประจกษจากผลการวจยจำนวนมากมายทยนยนอทธพลของปจจยทางจตวทยาทมผลตอการตดสนใจตามทฤษฎเกม หนงสอ เลมนไดนำเสนอแนวคดทฤษฎทเพมความสามารถในการอธบายพฤตกรรมการตดสนใจตามทฤษฎเกม (Game theory) ซง von Neumann; & Morgenstern ไดเสนอไวในป ค.ศ. 1944 โดยชใหเหนวา ปจจยทางจตวทยามอทธพลทำใหการตดสนใจทเกดขนจรงคลาดเคลอนจากการคาดการณของทฤษฎเกม

Behavioral Game Theory: Experiments in Strategic Interaction

Part I: The Landscape 1. The Power of Accounting Communication (Lisa Jack, Jane Davison and Russell Craig) 2. The Accounting Communication Research Landscape (Lee Parker) 3. An Historical Perspective from the Work of Chambers (Frank Clarke, Graeme Dean and John Richard Edwards) Part II: A Variety of Media: Beyond Numbers 4. The Language of Corporate Annual Reports: A Critical Discourse Analysis (Theo van Leeuwen) 5. Visual Perspectives (Jane Davison) 6. The Role of Metaphor (Joel Amernic) 7. Rhetoric and the Art of Memory (Paolo Quattrone) 8. Accounting Narratives and Impression Management (Niamh Brennan and Doris Merkl-Davies) Part III: Contemporary and Professional Issues 9. Phantasmagoria, Sustain-a-Babbling in Social and Environmental Reporting (Markus Milne) 10. Accounting Communication inside Organizations (Lisa Jack) 11. Communication Apprehension and Accounting Education (Trevor Hassall, Jose L. Arquero, John Joyce and Jose M. Gonzalez) 12. Review of US Pedagogic Research and Debates on Writing in Accounting (Sue Ravenscroft and Abhi Rao) 13. Is XBRL a Killer App? (Joanne Locke) Part IV: Construction of Meaning 14. A Big Four Practitioner View (John Hitchins and Laura Taylor) 15. Argument, Audit and Principles-Based Accounting (Wally Smieliauskas) 16. A Critical Perspective (Christine Cooper)

The Routledge Companion to Accounting Communication

Words, Pictures and Intangibles in the Corporate Report

Accounting-related narratives are found in various media, and written by various stakeholders. Preparer-created narratives are now acknowledged as a crucial component of the business reporting pack...

Accounting narratives: storytelling, philosophising and quantification

The production of stand-alone sustainability reports: visual impression management, legitimacy and “functional stupidity”

This paper offers the first wide-ranging review and synthesis of visual research in accounting. It aims to shape, order and evaluate the field for the first time. Visual forms are important to accounting because of their power and their ubiquity in an increasingly visual society. Visual forms constitute representation (incremental information) or construction (impression management) or both. The paper defines the visual broadly (to include pictures, photographs, film, architecture, diagrams, advertisements, and web pages), that appear in a wide variety of documentary and geographical locations. It encompasses papers that examine a wide range of issues (from impression management, visual rhetoric, professional identity, gender and diversity to corporate social responsibility, intellectual capital, myth and religion). First is an overview of the ‘visual turn’ in contemporary society, critical thought and accounting. The second part brings together for the first time a wide range of work on the visual in accounting. It gives order by a framework constructed from the interdisciplinarity that is fundamental to the field, from arts disciplines, through sociology, to psychology and economics. In the third section is an evaluative discussion of the strengths and challenges of the field. Finally, a rich agenda for future research is outlined.

Jane Davison

Papers

The Routledge Companion to Accounting Communication

Words, Pictures and Intangibles in the Corporate Report

Accounting narratives: storytelling, philosophising and quantification

The production of stand-alone sustainability reports: visual impression management, legitimacy and “functional stupidity”

Visualising Accounting: An Interdisciplinary Review and Synthesis