Co-Planar Stereotaxic Atlas of the Human Brain—3-Dimensional Proportional System: An Approach to Cerebral Imaging, J. Talairach, P. Tournoux. Georg Thieme Verlag, New York (1988), 122 pp., 130 figs. DM 268

I have developed "tennis elbow" from lugging this book around the past four weeks, but it is worth the pain, the effort, and the aspirin. It is also worth the (relatively speaking) bargain price. Including appendixes, this book contains 894 pages of text. The entire panorama of the neural sciences is surveyed and examined, and it is comprehensive in its scope, from genomes to social behaviors. The editors explicitly state that the book is designed as "an introductory text for students of biology, behavior, and medicine," but it is hard to imagine any audience, interested in any fragment of neuroscience at any level of sophistication, that would not enjoy this book. The editors have done a masterful job of weaving together the biologic, the behavioral, and the clinical sciences into a single tapestry in which everyone from the molecular biologist to the practicing psychiatrist can find and appreciate his or

Principles of Neural Science

From the Publisher: 
The accessible presentation of this book gives both a general view of the entire computer vision enterprise and also offers sufficient detail to be able to build useful applications. Users learn techniques that have proven to be useful by first-hand experience and a wide range of mathematical methods. A CD-ROM with every copy of the text contains source code for programming practice, color images, and illustrative movies. Comprehensive and up-to-date, this book includes essential topics that either reflect practical significance or are of theoretical importance. Topics are discussed in substantial and increasing depth. Application surveys describe numerous important application areas such as image based rendering and digital libraries. Many important algorithms broken down and illustrated in pseudo code. Appropriate for use by engineers as a comprehensive reference to the computer vision enterprise.

Computer vision : a modern approach = 计算机视觉 : 一种现代的方法

中枢神経系疾患の治療は正常細胞（ニューロン）の機能維持を目的とするが，脳血管障害のように機能障害の原因が細胞の死滅に基づくことは多い．一方，脳腫瘍の治療においては薬物療法や放射線療法といった腫瘍細胞の死滅を目標とするものが大きな位置を占める．いずれの場合にも，細胞死の機序を理解することは各種病態や治療法の理解のうえで重要である．現在のところ最も研究の進んでいる細胞死の型はアポトーシスである．そのなかで重要な位置を占めるミトコンドリアにおける反応および抗アポトーシス因子について概要を紹介する．

Neuroscience 細胞死：最近の知見

Many current neurophysiological, psychophysical, and psychological approaches to vision rest on the idea that when we see, the brain produces an internal representation of the world. The activation of this internal representation is assumed to give rise to the experience of seeing. The problem with this kind of approach is that it leaves unexplained how the existence of such a detailed internal representation might produce visual consciousness. An alternative proposal is made here. We propose that seeing is a way of acting. It is a particular way of exploring the environment. Activity in internal representations does not generate the experience of seeing. The outside world serves as its own, external, representation. The experience of seeing occurs when the organism masters what we call the governing laws of sensorimotor contingency. The advantage of this approach is that it provides a natural and principled way of accounting for visual consciousness, and for the differences in the perceived quality of sensory experience in the different sensory modalities. Several lines of empirical evidence are brought forward in support of the theory, in particular: evidence from experiments in sensorimotor adaptation, visual \"filling in,\" visual stability despite eye movements, change blindness, sensory substitution, and color perception.

A sensorimotor account of vision and visual consciousness-Authors' Response-Acting out our sensory experience

Neuropsychological studies prompted the theory that the primate visual system might be organized into two parallel pathways, one for conscious perception and one for guiding action. Supporting evidence in healthy subjects seemed to come from a dissociation in visual illusions: In previous studies, the Ebbinghaus (or Titchener) illusion deceived perceptual judgments of size, but only marginally influenced the size estimates used in grasping. Contrary to those results, the findings from the present study show that there is no difference in the sizes of the perceptual and grasp illusions if the perceptual and grasping tasks are appropriately matched. We show that the differences found previously can be accounted for by a hitherto unknown, nonadditive effect in the illusion. We conclude that the illusion does not provide evidence for the existence of two distinct pathways for perception and action in the visual system.

Grasping Visual Illusions: No Evidence for a Dissociation Between Perception and Action

Contributors Foreword by Brian B Boycott Acknowledgments Part I Photoreceptors: 1 Opsin genes, cone photopigments, color vision and colorblindness Lindsay T Sharpe, Andrew Stockman, Herbert Jagle and Jeremy Nathans 2 Cone spectral sensitivities and color matching Andrew Stockman and Lindsay T Sharpe 3 Photopigments and the biophysics of transduction in cone photoreceptors Trevor Lamb 4 Electrophysiology of cone photoreceptors in the primate retina Julie L Schnapf and David M Schneeweis 5 The trichromatic cone mosaic in the human eye David R Williams and Austin Roorda 6 The ecology and evolution of primate color vision Jan Kremers, Luiz Carlos, L Silveira, Elizabeth S Yamada and Barry B Lee Part II Retinal Circuitry: 7 Parallel pathways from the outer to the inner retina in primates Heinz Wassle 8 Synaptic organization of cone pathways in the primate retina David J Calkins 9 Functional architecture of cone signal pathways in the primate retina Dennis M Dacey and Barry B Lee 10 Receptor inputs to primate ganglion cells Barry B Lee Part III Cortical Processing: 11 Parallel retino-cortical channels and luminance Robert M Shapley and Michael J Hawken 12 Color coding in cortex Peter Lennie 13 Chromatic signals in extrastriate areas V2 and V3 Daniel C Kiper, Jonathan B Levitt and Karl R Gegenfurtner 14 Computational neuroimaging: color tuning in two human cortical areas measured using fMRI Brian A Wandell, Heidi A Baseler, Allen B Poirson, Geoffrey M Boynton and Stephen A Engel 15 Interactions between color and motion in the primate visual system Michael J Hawken and Karl R Gegenfurtner Part IV Perception: 16 High order color mechanisms John Krauskopf 17 Color and brightness induction: from Mach bands to three-dimensional configurations Qasim Zaidi 18 Chromatic detection and discrimination Rhea T Eskew Jr, James S McLellan and Franco Giulianini 19 Contrast gain control Michael D'Zmura and Benjamin Singer 20 Physics-based approaches to modeling surface color perception Laurence T Maloney References Author index Subject index

Color Vision : From Genes to Perception

How similar are the eye movement patterns of different subjects when free viewing dynamic natural scenes? We collected a large database of eye movements from 54 subjects on 18 high-resolution videos of outdoor scenes and measured their variability using the Normalized Scanpath Saliency, which we extended to the temporal domain. Even though up to about 80% of subjects looked at the same image region in some video parts, variability usually was much greater. Eye movements on natural movies were then compared with eye movements in several control conditions. "Stop-motion" movies had almost identical semantic content as the original videos but lacked continuous motion. Hollywood action movie trailers were used to probe the upper limit of eye movement coherence that can be achieved by deliberate camera work, scene cuts, etc. In a "repetitive" condition, subjects viewed the same movies ten times each over the course of 2 days. Results show several systematic differences between conditions both for general eye movement parameters such as saccade amplitude and fixation duration and for eye movement variability. Most importantly, eye movements on static images are initially driven by stimulus onset effects and later, more so than on continuous videos, by subject-specific idiosyncrasies; eye movements on Hollywood movies are significantly more coherent than those on natural movies. We conclude that the stimuli types often used in laboratory experiments, static images and professionally cut material, are not very representative of natural viewing behavior. All stimuli and gaze data are publicly available at http://www.inb.uni-luebeck.de/tools-demos/gaze.

Variability of eye movements when viewing dynamic natural scenes.

We asked human observers to adjust the color of natural fruit objects until they appeared achromatic. The objects were generally perceived to be gray when their color was shifted away from the observers' gray point in a direction opposite to the typical color of the fruit. These results show that color sensations are not determined by the incoming sensory data alone, but are significantly modulated by high-level visual memory.

Memory modulates color appearance.

The perception of colour is a central component of primate vision. Colour facilitates object perception and recognition, and has an important role in scene segmentation and visual memory. Moreover, it provides an aesthetic component to visual experiences that is fundamental to our perception of the world. Despite the long history of colour vision studies, much has still to be learned about the physiological basis of colour perception. Recent advances in our understanding of the early processing in the retina and thalamus have enabled us to take a fresh look at cortical processing of colour. These studies are beginning to indicate that colour is processed not in isolation, but together with information about luminance and visual form, by the same neural circuits, to achieve a unitary and robust representation of the visual world.

/pdf/cortical-mechanisms-of-colour-vision-2qspq8wanl.pdf

Karl R. Gegenfurtner

Papers

Grasping Visual Illusions: No Evidence for a Dissociation Between Perception and Action

Color Vision : From Genes to Perception

Variability of eye movements when viewing dynamic natural scenes.

Memory modulates color appearance.

Cortical mechanisms of colour vision