Measurement of visual quality is of fundamental importance to numerous image and video processing applications. The goal of quality assessment (QA) research is to design algorithms that can automatically assess the quality of images or videos in a perceptually consistent manner. Image QA algorithms generally interpret image quality as fidelity or similarity with a "reference" or "perfect" image in some perceptual space. Such "full-reference" QA methods attempt to achieve consistency in quality prediction by modeling salient physiological and psychovisual features of the human visual system (HVS), or by signal fidelity measures. In this paper, we approach the image QA problem as an information fidelity problem. Specifically, we propose to quantify the loss of image information to the distortion process and explore the relationship between image information and visual quality. QA systems are invariably involved with judging the visual quality of "natural" images and videos that are meant for "human consumption." Researchers have developed sophisticated models to capture the statistics of such natural signals. Using these models, we previously presented an information fidelity criterion for image QA that related image quality with the amount of information shared between a reference and a distorted image. In this paper, we propose an image information measure that quantifies the information that is present in the reference image and how much of this reference information can be extracted from the distorted image. Combining these two quantities, we propose a visual information fidelity measure for image QA. We validate the performance of our algorithm with an extensive subjective study involving 779 images and show that our method outperforms recent state-of-the-art image QA algorithms by a sizeable margin in our simulations. The code and the data from the subjective study are available at the LIVE website.

Image information and visual quality

Digital watermarking is a key ingredient to copyright protection. It provides a solution to illegal copying of digital material and has many other useful applications such as broadcast monitoring and the recording of electronic transactions. Now, for the first time, there is a book that focuses exclusively on this exciting technology. Digital Watermarking covers the crucial research findings in the field: it explains the principles underlying digital watermarking technologies, describes the requirements that have given rise to them, and discusses the diverse ends to which these technologies are being applied. As a result, additional groundwork is laid for future developments in this field, helping the reader understand and anticipate new approaches and applications.

Digital Watermarking

Measurement of visual quality is of fundamental importance for numerous image and video processing applications, where the goal of quality assessment (QA) algorithms is to automatically assess the quality of images or videos in agreement with human quality judgments. Over the years, many researchers have taken different approaches to the problem and have contributed significant research in this area and claim to have made progress in their respective domains. It is important to evaluate the performance of these algorithms in a comparative setting and analyze the strengths and weaknesses of these methods. In this paper, we present results of an extensive subjective quality assessment study in which a total of 779 distorted images were evaluated by about two dozen human subjects. The "ground truth" image quality data obtained from about 25 000 individual human quality judgments is used to evaluate the performance of several prominent full-reference image quality assessment algorithms. To the best of our knowledge, apart from video quality studies conducted by the Video Quality Experts Group, the study presented in this paper is the largest subjective image quality study in the literature in terms of number of images, distortion types, and number of human judgments per image. Moreover, we have made the data from the study freely available to the research community . This would allow other researchers to easily report comparative results in the future

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A Statistical Evaluation of Recent Full Reference Image Quality Assessment Algorithms

In this paper, we analyse two well-known objective image quality metrics, the peak-signal-to-noise ratio (PSNR) as well as the structural similarity index measure (SSIM), and we derive a simple mathematical relationship between them which works for various kinds of image degradations such as Gaussian blur, additive Gaussian white noise, jpeg and jpeg2000 compression. A series of tests realized on images extracted from the Kodak database gives a better understanding of the similarity and difference between the SSIM and the PSNR.

Image Quality Metrics: PSNR vs. SSIM

Preface 1 Introduction 1.1 Compression Techniques 1.1.1 Lossless Compression 1.1.2 Lossy Compression 1.1.3 Measures of Performance 1.2 Modeling and Coding 1.3 Organization of This Book 1.4 Summary 1.5 Projects and Problems 2 Mathematical Preliminaries 2.1 Overview 2.2 A Brief Introduction to Information Theory 2.3 Models 2.3.1 Physical Models 2.3.2 Probability Models 2.3.3. Markov Models 2.3.4 Summary 2.5 Projects and Problems 3 Huffman Coding 3.1 Overview 3.2 "Good" Codes 3.3. The Huffman Coding Algorithm 3.3.1 Minimum Variance Huffman Codes 3.3.2 Length of Huffman Codes 3.3.3 Extended Huffman Codes 3.4 Nonbinary Huffman Codes 3.5 Adaptive Huffman Coding 3.5.1 Update Procedure 3.5.2 Encoding Procedure 3.5.3 Decoding Procedure 3.6 Applications of Huffman Coding 3.6.1 Lossless Image Compression 3.6.2 Text Compression 3.6.3 Audio Compression 3.7 Summary 3.8 Projects and Problems 4 Arithmetic Coding 4.1 Overview 4.2 Introduction 4.3 Coding a Sequence 4.3.1 Generating a Tag 4.3.2 Deciphering the Tag 4.4 Generating a Binary Code 4.4.1 Uniqueness and Efficiency of the Arithmetic Code 4.4.2 Algorithm Implementation 4.4.3 Integer Implementation 4.5 Comparison of Huffman and Arithmetic Coding 4.6 Applications 4.6.1 Bi-Level Image Compression-The JBIG Standard 4.6.2 Image Compression 4.7 Summary 4.8 Projects and Problems 5 Dictionary Techniques 5.1 Overview 5.2 Introduction 5.3 Static Dictionary 5.3.1 Diagram Coding 5.4 Adaptive Dictionary 5.4.1 The LZ77 Approach 5.4.2 The LZ78 Approach 5.5 Applications 5.5.1 File Compression-UNIX COMPRESS 5.5.2 Image Compression-the Graphics Interchange Format (GIF) 5.5.3 Compression over Modems-V.42 bis 5.6 Summary 5.7 Projects and Problems 6 Lossless Image Compression 6.1 Overview 6.2 Introduction 6.3 Facsimile Encoding 6.3.1 Run-Length Coding 6.3.2 CCITT Group 3 and 4-Recommendations T.4 and T.6 6.3.3 Comparison of MH, MR, MMR, and JBIG 6.4 Progressive Image Transmission 6.5 Other Image Compression Approaches 6.5.1 Linear Prediction Models 6.5.2 Context Models 6.5.3 Multiresolution Models 6.5.4 Modeling Prediction Errors 6.6 Summary 6.7 Projects and Problems 7 Mathematical Preliminaries 7.1 Overview 7.2 Introduction 7.3 Distortion Criteria 7.3.1 The Human Visual System 7.3.2 Auditory Perception 7.4 Information Theory Revisted 7.4.1 Conditional Entropy 7.4.2 Average Mutual Information 7.4.3 Differential Entropy 7.5 Rate Distortion Theory 7.6 Models 7.6.1 Probability Models 7.6.2 Linear System Models 7.6.3 Physical Models 7.7 Summary 7.8 Projects and Problems 8 Scalar Quantization 8.1 Overview 8.2 Introduction 8.3 The Quantization Problem 8.4 Uniform Quantizer 8.5 Adaptive Quantization 8.5.1 Forward Adaptive Quantization 8.5.2 Backward Adaptive Quantization 8.6 Nonuniform Quantization 8.6.1 pdf-Optimized Quantization 8.6.2 Companded Quantization 8.7 Entropy-Coded Quantization 8.7.1 Entropy Coding of Lloyd-Max Quantizer Outputs 8.7.2 Entropy-Constrained Quantization 8.7.3 High-Rate Optimum Quantization 8.8 Summary 8.9 Projects and Problems 9 Vector Quantization 9.1 Overview 9.2 Introduction 9.3 Advantages of Vector Quantization over Scalar Quantization 9.4 The Linde-Buzo-Gray Algorithm 9.4.1 Initializing the LBG Algorithm 9.4.2 The Empty Cell Problem 9.4.3 Use of LBG for Image Compression 9.5 Tree-Structured Vector Quantizers 9.5.1 Design of Tree-Structured Vector Quantizers 9.6 Structured Vector Quantizers 9.6.1 Pyramid Vector Quantization 9.6.2 Polar and Spherical Vector Quantizers 9.6.3 Lattice Vector Quantizers 9.7 Variations on the Theme 9.7.1 Gain-Shape Vector Quantization 9.7.2 Mean-Removed Vector Quantization 9.7.3 Classified Vector Quantization 9.7.4 Multistage Vector Quantization 9.7.5 Adaptive Vector Quantization 9.8 Summary 9.9 Projects and Problems 10 Differential Encoding 10.1 Overview 10.2 Introduction 10.3 The Basic Algorithm 10.4 Prediction in DPCM 10.5 Adaptive DPCM (ADPCM) 10.5.1 Adaptive Quantization in DPCM 10.5.2 Adaptive Prediction in DPCM 10.6 Delta Modulation 10.6.1 Constant Factor Adaptive Delta Modulation (CFDM) 10.6.2 Continuously Variable Slope Delta Modulation 10.7 Speech Coding 10.7.1 G.726 10.8 Summary 10.9 Projects and Problems 11 Subband Coding 11.1 Overview 11.2 Introduction 11.3 The Frequency Domain and Filtering 11.3.1 Filters 11.4 The Basic Subband Coding Algorithm 11.4.1 Bit Allocation 11.5 Application to Speech Coding-G.722 11.6 Application to Audio Coding-MPEG Audio 11.7 Application to Image Compression 11.7.1 Decomposing an Image 11.7.2 Coding the Subbands 11.8 Wavelets 11.8.1 Families of Wavelets 11.8.2 Wavelets and Image Compression 11.9 Summary 11.10 Projects and Problems 12 Transform Coding 12.1 Overview 12.2 Introduction 12.3 The Transform 12.4 Transforms of Interest 12.4.1 Karhunen-Loeve Transform 12.4.2 Discrete Cosine Transform 12.4.3 Discrete Sine Transform 12.4.4 Discrete Walsh-Hadamard Transform 12.5 Quantization and Coding of Transform Coefficients 12.6 Application to Image Compression-JPEG 12.6.1 The Transform 12.6.2 Quantization 12.6.3 Coding 12.7 Application to Audio Compression 12.8 Summary 12.9 Projects and Problems 13 Analysis/Synthesis Schemes 13.1 Overview 13.2 Introduction 13.3 Speech Compression 13.3.1 The Channel Vocoder 13.3.2 The Linear Predictive Coder (Gov.Std.LPC-10) 13.3.3 Code Excited Linear Prediction (CELP) 13.3.4 Sinusoidal Coders 13.4 Image Compression 13.4.1 Fractal Compression 13.5 Summary 13.6 Projects and Problems 14 Video Compression 14.1 Overview 14.2 Introduction 14.3 Motion Compensation 14.4 Video Signal Representation 14.5 Algorithms for Videoconferencing and Videophones 14.5.1 ITU_T Recommendation H.261 14.5.2 Model-Based Coding 14.6 Asymmetric Applications 14.6.1 The MPEG Video Standard 14.7 Packet Video 14.7.1 ATM Networks 14.7.2 Compression Issues in ATM Networks 14.7.3 Compression Algorithms for Packet Video 14.8 Summary 14.9 Projects and Problems A Probability and Random Processes A.1 Probability A.2 Random Variables A.3 Distribution Functions A.4 Expectation A.5 Types of Distribution A.6 Stochastic Process A.7 Projects and Problems B A Brief Review of Matrix Concepts B.1 A Matrix B.2 Matrix Operations C Codes for Facsimile Encoding D The Root Lattices Bibliography Index

Introduction to data compression

In this work we comprehensively categorize image qual- ity measures, extend measures defined for gray scale images to their multispectral case, and propose novel image quality measures. They are categorized into pixel difference-based, correlation-based, edge-based, spectral-based, context-based and human visual sys- tem (HVS)-based measures. Furthermore we compare these mea- sures statistically for still image compression applications. The sta- tistical behavior of the measures and their sensitivity to coding artifacts are investigated via analysis of variance techniques. Their similarities or differences are illustrated by plotting their Kohonen maps. Measures that give consistent scores across an image class and that are sensitive to coding artifacts are pointed out. It was found that measures based on the phase spectrum, the multireso- lution distance or the HVS filtered mean square error are computa- tionally simple and are more responsive to coding artifacts. We also demonstrate the utility of combining selected quality metrics in build- ing a steganalysis tool. © 2002 SPIE and IS&T.

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Statistical evaluation of image quality measures

Introduction to data compression (2nd ed.)

Motivation Most existing approaches for phylogenetic inference use multiple alignment of sequences and assume some sort of an evolutionary model. The multiple alignment strategy does not work for all types of data, e.g. whole genome phylogeny, and the evolutionary models may not always be correct. We propose a new sequence distance measure based on the relative information between the sequences using Lempel-Ziv complexity. The distance matrix thus obtained can be used to construct phylogenetic trees. Results The proposed approach does not require sequence alignment and is totally automatic. The algorithm has successfully constructed consistent phylogenies for real and simulated data sets. Availability Available on request from the authors.

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A new sequence distance measure for phylogenetic tree construction

A technique for providing error protection without the additional overhead required for channel coding is presented. The authors start from the premise that, during source coder design, for the sake of simplicity or due to imperfect knowledge, assumptions have to be made about the source which are often incorrect. This results in residual redundancy at the output of the source coder. The residual redundancy can then be used to provide error protection in much the same way as the insertion of redundancy in convolutional coding provides error protection. The authors develop an approach for utilizing this redundancy. To show the validity of this approach, the authors apply it to image coding using differential pulse code modulation (DPCM), and obtain substantial performance gains, both in terms of objective and subjective measures. >

Khalid Sayood

Papers

Introduction to data compression

Statistical evaluation of image quality measures

Introduction to data compression (2nd ed.)

A new sequence distance measure for phylogenetic tree construction

Use of residual redundancy in the design of joint source/channel coders