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Kristin Surak

Researcher at SOAS, University of London

Publications -  16
Citations -  281

Kristin Surak is an academic researcher from SOAS, University of London. The author has contributed to research in topics: Citizenship & Tea ceremony. The author has an hindex of 10, co-authored 16 publications receiving 226 citations. Previous affiliations of Kristin Surak include University of California, Los Angeles & University of Duisburg-Essen.

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Millionaire Mobility and the Sale of Citizenship

TL;DR: The authors investigates the demand for citizenship by investment programs, which enable naturalisation based on a donation or donation or tax-free investment in peripheral countries, and investigates the reasons why wealthy people purchase citizenship in these countries.
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Migration Industries and the State: Guestwork Programs in East Asia

TL;DR: A taxonomy of the ways states partner with migration industries based on the nature of their relationship (formal or informal) and the type of actor involved (for-profit or non-profit) is presented in this article.
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Convergence in Foreigners' Rights and Citizenship Policies? A Look at Japan

TL;DR: In this article, the authors distinguish three theoretical accounts of convergence: global-institutionalist, liberal-democratic, and problem-solving perspectives and examine trends in foreigners' rights in Japan since World War II in three domains: entrance, rights of residents, and citizenship.
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Nation-Work: A Praxeology of Making and Maintaining Nations

TL;DR: In this paper, three types of categorization processes at play: we-they distinctions are made across ethnonational groups, these distinctions are further specified by linking them with non-ethnonational categories such as gender and class, and differentiations are made within the same category by distinguishing exemplary from less exemplary members of the category.
Book

Making Tea, Making Japan: Cultural Nationalism in Practice

Kristin Surak
TL;DR: This article examined the role of the tea ceremony in the formation and maintenance of the Japanese nation, and found that the practice became a potent symbol of the nation while undergoing a radical transformation of its carriers, as what was once an aesthetic pastime of elite men has survived into the twenty-first century as a hobby of middle class women.