Methods for adapting the operation of a system in response to the detection of embedded watermarks from a digital host content are provided. A digital host content is received and examined for the presence of watermarks. In response to the detection of embedded watermarks and in accordance with the value, type, density or spacing of the detected watermarks, one or more system reactions may take place. These reactions include conditionally allowing the system to resume its normal operation, prohibiting the system from resuming its normal operation, degrading the quality of the digital host content or changing the security status of the digital host content. In response to the extraction of weak watermarks that do not meet the desired system requirements, the extraction operation may be modified or extended to enable the detection of strong watermarks.

System reactions to the detection of embedded watermarks in a digital host content

Embodiments are described for an adaptive audio system that processes audio data comprising a number of independent monophonic audio streams. One or more of the streams has associated with it metadata that specifies whether the stream is a channel-based or object-based stream. Channel-based streams have rendering information encoded by means of channel name; and the object-based streams have location information encoded through location expressions encoded in the associated metadata. A codec packages the independent audio streams into a single serial bitstream that contains all of the audio data. This configuration allows for the sound to be rendered according to an allocentric frame of reference, in which the rendering location of a sound is based on the characteristics of the playback environment (e.g., room size, shape, etc.) to correspond to the mixer's intent. The object position metadata contains the appropriate allocentric frame of reference information required to play the sound correctly using the available speaker positions in a room that is set up to play the adaptive audio content.

System and method for adaptive audio signal generation, coding and rendering

Multiple channels of audio are combined either to a monophonic composite signal or to multiple channels of audio along with related auxiliary information from which multiple channels of audio are reconstructed, including improved downmixing of multiple audio channels to a monophonic audio signal or to multiple audio channels and improved decorrelation of multiple audio channels derived from a monophonic audio channel or from multiple audio channels. Aspects of the disclosed invention are usable in audio encoders, decoders, encode/decode systems, downmixers, upmixers, and decorrelators.

Multichannel audio coding

In 2004 the ISO/MPEG Audio standardization group started a new work item on efficient and backward-compatible coding of high-quality multichannel sound using parametric coding techniques. Finalized in the fall of 2006, the resulting MPEG Surround specification allows the transmission of surround sound at bit rates that have been commonly used for coding of mono or stereo sound. The results of the standardization process are summarized by describing the underlying ideas and providing an overview of the MPEG Surround technology. The performance of the scheme is characterized by the results of recent verification tests. These tests include several operation modes as they would be used in typical application scenarios to introduce multichannel audio into existing audio services.

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MPEG Surround – the ISO/MPEG Standard for Efficient and Compatible Multi-Channel Audio Coding

Following the recent trend of employing parametric enhancement tools for increasing coding or spatial rendering efficiency, Spatial Audio Object Coding (SAOC) is one of the recent standardization activities in the MPEG audio group. SAOC is a technique for efficient coding and flexible, user-controllable rendering of multiple audio objects based on transmission of a mono or stereo downmix of the object signals. The SAOC system extends the MPEG Surround standard by re-using its spatial rendering capabilities. This paper will describe the chosen reference model architecture, the association between the different operational modes and applications, and the current status of the standardization process.

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Spatial Audio Object Coding (SAOC) - The Upcoming MPEG Standard on Parametric Object Based Audio Coding

An audio object coder for generating an encoded object signal using a plurality of audio objects includes a downmix information generator for generating downmix information indicating a distribution of the plurality of audio objects into at least two downmix channels, an audio object parameter generator for generating object parameters for the audio objects, and an output interface for generating the imported audio output signal using the downmix information and the object parameters. An audio synthesizer uses the downmix information for generating output data usable for creating a plurality of output channels of the predefined audio output configuration.

Enhanced coding and parameter representation of multichannel downmixed object coding

A parameter transformer generates level parameters, indicating an energy relation between a first and a second audio channel of a multi-channel audio signal associated to a multi-channel loudspeake configuration. The level parameter are generated based on object parameters for a plurality of audio objects associated to a down-mix channel, which is generated using object audio signals associated to the audio objects. The object parameters comprise an energy parameter indicating an energy of the object audio signal. To derive the coherence and the level parameters, a parameter generator is used, which combines the energy parameter and object rendering parameters, which depend on a desired rendering configuration.

Apparatus and method for multi-channel parameter transformation

Encoding an audio signal is provided wherein the audio signal includes a first audio channel and a second audio channel, the encoding comprising subband filtering each of the first audio channel and the second audio channel in a complex modulated filterbank to provide a first plurality of subband signals for the first audio channel and a second plurality of subband signals for the second audio channel, downsampling each of the subband signals to provide a first plurality of downsampled subband signals and a second plurality of downsampled subband signals, further subband filtering at least one of the downsampled subband signals in a further filterbank in order to provide a plurality of sub-subband signals, deriving spatial parameters from the sub-subband signals and from those downsampled subband signals that are not further subband filtered, and deriving a single channel audio signal comprising derived subband signals derived from the first plurality of downsampled subband signals and the second plurality of downsampled subband signals. Further, decoding is provided wherein an encoded audio signal comprising an encoded single channel audio signal and a set of spatial parameters is decoded by decoding the encoded single channel audio channel to obtain a plurality of downsampled subband signals, further subband filtering at least one of the downsampled subband signals in a further filterbank in order to provide a plurality of sub-subband signals, and deriving two audio channels from the spatial parameters, the sub-subband signals and those downsampled subband signals that are not further subband filtered.

Audio signal encoding or decoding

An audio signal having at least two channels can be efficiently down-mixed into a downmix signal and a residual signal, when the down-mixing rule used depends on a spatial parameter that is derived from the audio signal and that is post-processed by a limiter to apply a certain limit to the derived spatial parameter with the aim of avoiding instabilities during the up-mixing or down-mixing process By having a down-mixing rule that dynamically depends on parameters describing an interrelation between the audio channels, one can assure that the energy within the down-mixed residual signal is as minimal as possible, which is advantageous in the view of coding efficiency By post processing the spatial parameter with a limiter prior to using it in the down-mixing, one can avoid instabilities in the down- or up-mixing, which otherwise could result in a disturbance of the spatial perception of the encoded or decoded audio signal

Adaptive residual audio coding

A parameter representation of a multi-channel signal having several original channels includes a parameter set, which, when used together with at least one down-mix channel al-lows a multi-channel reconstruction. An additional level parameter (rM) is calculated such that an energy of the at least one downmix channel weighted by the level parameter is equal to a sum of energies of the original channels. The additional level parameter is transmitted to a multi-channel reconstructor together with the parameter set or together with a down-mix channel. An apparatus for generat-ing a multi-channel representation uses the level parameter to correct (902) the energy of the at least one transmitted down-mix channel before entering the down-mix signal into an up-mixer or within the up-mixing process.

Lars Villemoes

Papers

Enhanced coding and parameter representation of multichannel downmixed object coding

Apparatus and method for multi-channel parameter transformation

Audio signal encoding or decoding

Adaptive residual audio coding

Apparatus and method for generating a level parameter and apparatus and method for generating a multi-channel representation