Fondees sur l'hypothese de l'absence de processus interpretatif dans l'imagerie mentale comparee a la perception, trois experiences testent la capacite des sujets a renverser une image mentale

Can mental images be ambiguous

Presentation des debats actuels sur la critique ethique de l'art, inauguree par Platon et negligee par les philosophes analytiques du XX e siecle. Examinant les principaux arguments autonomistes, cognitifs et anticonsequentialistes opposes au criticisme ethique, ainsi que les principales reponses qui leur ont ete apportees, l'A. montre que leur problematique centrale concerne la relation entre le domaine moral et le domaine esthetique, d'une part, et la possibilite de l'evaluation de l'un par l'autre, d'autre part.

https://www.jstor.org/stable/10.1086/233273

Art and ethical criticism: An overview of recent directions of research

Abstract This article examines the use of imagination as a communicative resource in interaction. Using actual examples of imagination in action collected during anthropological ﬁeldwork at an architecture ﬁrm in California, I develop the concept of ‘collaborative imagining’ as a social, jointly-produced activity in which the objects of thought are created and manipulated in the shared space of face-to-face interaction. Such an activity relies upon a number of semiotic resources, and the paper examines three in particular: talk, gestures, and material objects, taking into consideration the talk and gestures of all participants in an interaction as well as the material surround available to the interactants. This view suggests two new ways to think about imagination. First, imagining is not a purely individual act but is also a product of and resource for group interaction; second, the objects of imaginative thought are not necessarily mental images, but can potentially be constructed in the material world with real, material components.

Collaborative imagining: The interactive use of gestures, talk, and graphic representation in architectural practice

In both the academic literature and the public imagination, waiting time is often understood as passive, empty and wasted, particularly when associated with institutional or organisational settings...

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Waiting in the asylum determination process: Just an empty interlude?:

Acknowledgements Introduction: the promise of time: subjectivity in Husserl's transcendental phenomenology 1. The ritual of clarification 2. A rehearsal of difficulties 3. The ghosts of Brentano 4. The retention of time past 5. The impossible puzzle 6. The lives of others 7. The life of consciousness Appendix: note on textual sources Bibliography.

Morris Grossman

Papers

Imagining: A Phenomenological Study by Edward S. Casey

Thresholds of Reality: George Santayana and Modernist Poetics

Art and Morality: On the Ambiguity of a Distinction