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Pablo Aguilar-Rodríguez

Researcher at National Autonomous University of Mexico

Publications -  4
Citations -  9

Pablo Aguilar-Rodríguez is an academic researcher from National Autonomous University of Mexico. The author has contributed to research in topics: Fourier transform infrared spectroscopy & Mural. The author has an hindex of 1, co-authored 2 publications receiving 3 citations.

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NMR and other molecular and elemental spectroscopies for the characterization of samples from an outdoor mural painting by Siqueiros.

TL;DR: In this article , the authors presented the use of high resolution NMR as an outstanding tool for identifying with accuracy the structure of the polymers used as binders and the additives used as plasticizers in samples from a mural painted by David Alfaro Siqueiros between 1964 and 1972, an important period in which his artistic production has not been previously studied.
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Unexpected behavior of commercial artists’ acrylic paints under UVA artificial aging

TL;DR: In this article, the accelerated aging of acrylic-based commercial paints was studied using a combination of analytical techniques including Nuclear Magnetic Resonance (NMR) spectroscopies, Pyrolysis coupled with Gas Chromatography/Mass Spectrometry (Py-GC/MS), Fourier Transform Infrared in ATR mode (FTIR-ATR), Direct Analysis in Real Time coupled to Mass Spectrometers (DART-MS), and microscopic techniques, such as Stereoscopic Microscopy (SM) and Scanning Electron microscopy coupled with Energy Dis
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Assessment of preservation coatings for fiber-cement panels used in XX century mural paintings in Mexico

TL;DR: In this paper, the behavior of three polymer coatings applied on fiber-cement mural paintings to reduce the disintegration of its surface was analyzed before and after an artificial weathering process: Acrylic resin (AR), Polyurethane resin (PUR), and Alkyd enamel (AE).
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Microanalytical Characterization of an Innovative Modern Mural Painting Technique by SEM-EDS, NMR and Micro-ATR-FTIR among Others

TL;DR: In this article , the authors presented an innovative painting technique with pMMA, a medium not commonly used by artists, which was probably polymerized onto the painting support, which allowed for the identification of cadmium sulfide (CdS) and titanium dioxide (TiO2) as inorganic pigments; aluminosilicate fillers; poly(methyl methacrylate) (pMMA) as a binder; MMA monomer, red organic pigment PR181; benzoyl peroxide, dibutyl phthalate and 1-octadecanol as organic additives.