P
Pilar Garcés-Conejos Blitvich
Researcher at University of North Carolina at Charlotte
Publications - 37
Citations - 1102
Pilar Garcés-Conejos Blitvich is an academic researcher from University of North Carolina at Charlotte. The author has contributed to research in topics: Identity (social science) & Politeness. The author has an hindex of 15, co-authored 35 publications receiving 910 citations.
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On-line polylogues and impoliteness: The case of postings sent in response to the Obama Reggaeton YouTube video
TL;DR: In this article, the authors investigate impoliteness in a particular on-line polylogal setting -YouTube postings (c. 13,000 words) triggered by the ‘Obama Reggaeton’ video, which was released during the 2008 US democratic primaries.
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A Genre Approach to the Study of Im-politeness
TL;DR: The authors argue that impoliteness is used to create rapport between the interviewer and the overhearing audience, and that incivility toward those guests who differ ideologically from the audience has to be assessed as rapport building, and seen as constitutive rather than disruptive of communal life.
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Social Interaction in YouTube Text-Based Polylogues: A Study of Coherence
TL;DR: This article examines coherence in a corpus of YouTube postings in Spanish and examines the conversational potential of this facility through which YouTubers share and negotiate opinions.
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Conflict management in massive polylogues: A case study from YouTube
TL;DR: In this paper, the authors examine how conflict begins, unfolds and ends in a massive, new media polylogue, specifically, a YouTube poly logue, and find that extant models and taxonomies of conflict, developed to account mostly for local, synchronic, dyadic conflict, would not be well equipped to explain societal, diachronic, massively polylogal conflict such as the one under analysis.
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Impoliteness and identity in the American news media: The “Culture Wars”
TL;DR: Locher and Watts as discussed by the authors argue that impoliteness is inextricably linked to the construction of the identity of the hosts, the guests and the audience of an emergent news genre; news as confrontation.