How to ... be a reflective practitioner.

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The concept of mind

/pdf/the-precariat-the-new-dangerous-class-3tq7b7h7fg.pdf

The Precariat. The New Dangerous Class

Reflexive methodology - new vistas for qualitative research: Media Reviews

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Difference and Repetition

In the project Sonic City, we have developed a system that enables users to create electronic music in real time by walking through and interacting with the urban environment We explore the use of public space and everyday behaviours for creative purposes, in particular the city as an interface and mobility as an interaction model for electronic music making A multi-disciplinary design process resulted in the implementation of a wearable, context-aware prototype The system produces music by retrieving information about context and user action and mapping it to real-time processing of urban sounds Potentials, constraints, and implications of this type of music creation are discussed

/pdf/sonic-city-the-urban-environment-as-a-musical-interface-4c529etyky.pdf

Sonic City: the urban environment as a musical interface

Smart-Its are self-contained, stick-on computers that attach to everyday objects. These augmented objects become soft media, enabling dynamic digital relationships with users and each other. In the Smart-Its project, we are developing technology to realize a vision of computation everywhere, where computer technology seamlessly integrates into everyday life, supporting users in their daily tasks. By embedding sensors, computation, and communication into common artifacts, future computing applications can adapt to human users rather than the other way around. However, it's currently difficult to develop this type of ubiquitous computing because of the lack of toolkits integrating both the required hardware and software. Therefore, we are creating a class of small computers - called Smart-Its - equipped with wireless communication and sensors to make it possible to create smart artifacts with little overhead.

Building intelligent environments with Smart-Its

There is no single answer to the question of how people should live, nor any silver bullet for solving current ecological problems—and yet, contemporary design must seek ways to think and act in light of emerging environmental challenges. We present here an overview of the Switch! design research program, a continuation of our previous work on how interaction and product design can promote awareness of energy use in everyday life. Extending this approach to a larger architectural and urban scale, Switch! was set up to explore the possibilities of design as an intervention into multiple and interpenetrating technical, material and social systems—or ecologies. In addition to designing materials, objects, and interfaces, Switch! also examines how design can be engaged in staging potential scenarios, narratives and debates. The design of interventions into energy ecologies and the use of design methods become a platform for exposing existing habits and hidden norms as well as for proposing alternative actions and views. These propositions have been developed through practical experimentation and the materialization of design examples. Central to our investigation is how critical practice enables us to examine and discuss the concepts, strategies and ideologies underlying sustainable design.

Switch! Energy Ecologies in Everyday Life

In this article we use actual instances of human conduct with animals to reflect on the debates about animal agency in human activities Where much of psychology, philosophy, and sociology begin with a fundamental scepticism over animal mind as the grounds for its inquiries, we join with a growing body of work that examines the continuities between animals and humans, and accepts the positive possibilities of anthropomorphising animals We are interested in the reason and intelligence that animals display in their activities with humans Inverting the typical approach of explaining canine reason by reference to the behaviour of their wild counterparts, we describe human–canine action as it occurs in the widespread, historically assembled, and spatially situated activity of dog walking in parks We treat dog walking as a living accomplishment of owner and dog methodically displaying intent and producing social objects

/pdf/putting-the-dog-back-in-the-park-animal-and-human-mind-in-ayw0jzjytb.pdf

Putting the dog back in the park: animal and human mind-in-action

As a result of development toward ‘smart’ materials, materials now enable an expanding range of aesthetic expressions and user experiences. These materials are fundamentally temporal in their capacity to assume multiple, discrete states of expression that can be repeatedly and minutely controlled. These materials come to be, or become, only over time and in context—they are becoming materials. Thus, in the development and application of such materials, we must engage more extensively with the experience of materials in practices of design and of use. This paper introduces and discusses the concept of becoming materials—as well as the implications for practice—through a series of examples from our own practice-led research within art, design and architecture. Coming to terms with the implications for material practices of design and of use, we suggest, requires the development of new concepts and methods for doing and studying the design of becoming materials.

Ramia Mazé

Papers

Sonic City: the urban environment as a musical interface

Building intelligent environments with Smart-Its

Switch! Energy Ecologies in Everyday Life

Putting the dog back in the park: animal and human mind-in-action

Becoming materials : material forms and forms of practice