https://waseda.repo.nii.ac.jp/?action=repository_action_common_download&item_id=12133&item_no=1&attribute_id=162&file_no=1

言語運用能力(Communicative Competence)

Relevance Communication And Cognition

Text-only CMC has been claimed to be interactionally incoherent due to limitations imposed by messaging systems on turn-taking and reference, yet its popularity continues to grow. In an attempt to resolve this apparent paradox, this study evaluates the coherence of computer-mediated interaction by surveying research on cross-turn coherence. The results reveal a high degree of disrupted adjacency, overlapping exchanges, and topic decay. Two explanations are proposed to account for the popularity of CMC despite its relative incoherence: the ability of users to adapt to the medium, and the advantages of loosened coherence for heightened interactivity and language play.

Interactional Coherence in CMC

The term 'emoticons'—short for 'emotion icons'—refers to graphic signs, such as the smiley face, that often accompany computer-mediated textual communication. They are most often characterized as iconic indicators of emotion, conveyed through a communication channel that is parallel to the linguistic one. In this article, it is argued that this conception of emoticons fails to account for some of their important uses. We present a brief outline of speech act theory and use it to provide a complementary account of emoticons, according to which they also function as indicators of illocutionary force. More broadly, we identify and illustrate three ways in which emoticons function: 1) as emotion indicators, mapped directly onto facial expression; 2) as indicators of non-emotional meanings, mapped conventionally onto facial expressions, and 3) as illocutionary force indicators that do not map conventionally onto a facial expression. In concluding, we draw parallels between emoticons and utterance-final punctuation marks, and show how our discussion of emoticons bears upon the broader question of the bounds between linguistic and non-linguistic communication.

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Functions of the Nonverbal in CMC: Emoticons and Illocutionary Force

Story and Discourse. Narrative Structure in Fiction and Film

So this English professor comes into class and starts talking about the textual organization of jokes, the taxonomy of puns, the relations between the linguistic form and the content of humorous texts, and other past and current topics in language-based research into humor. At the end he stuffs all

/pdf/linguistic-theories-of-humor-1xxh0hu0an.pdf

Linguistic theories of humor

The article proposes a general theory of verbal humor, focusing on verbal jokes äs its most representative subset. The theory is an extension and revision ofRaskin's script-based semantic theory of humor and of Attardo's five-level joke representation model. After distinguishing the parameters of the various degrees of similarity among the joke examples, six knowledge resources informing thejoke, namely script oppositions, logicalmechanisms, situationst targets, narrative strategies, and language, are put forward. A hierarchical organization for the six knowledge resources is then discovered on the basis of the asymmetrical binary relations, of the proposed and modified content l tooldichotomy, and, especially, ofthe hypothesized perceptions ofthe relative degrees of similarity. It is also argued that the emerging joke representation model is neutral to the process ofjoke production. The proposed hierarchy enables the concepts of joke variants and invariants, introduced previously by Attardo, to be firmed up, generalized, and äug· mented into a full-fledged taxonomy indexed with regard to the shared knowledge resource values (for example, two jokes may be variants on, that ist sharing, the same script oppositions and logical mechanisms). The resulting general theory of verbal humor is discussed in the light of its relations with various academic disciplines and areas ofresearch äs well äs with the script-based semantic theory of humor, special theories of humor, and incongruity-based theories.

Script theory revis(it)ed: joke similarity and joke representation model

Irony as relevant inappropriateness

This book presents a theory of long humorous texts based on a revision and an upgrade of the General Theory of Verbal Humour (GTVH), a decade after its first proposal. The theory is informed by current research in psycholinguistics and cognitive science. It is predicated on the fact that there are humorous mechanisms in long texts that have no counterpart in jokes. The book includes a number of case studies, among them Oscar Wilde's Lord Arthur Savile's Crime and Allais' story Han Rybeck. A ground-breaking discussion of the quantitative distribution of humor in select texts is presented.

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Salvatore Attardo

Papers

Linguistic theories of humor

Script theory revis(it)ed: joke similarity and joke representation model

Irony as relevant inappropriateness

Humorous Texts: A Semantic and Pragmatic Analysis

Multimodal markers of irony and sarcasm