Showing papers in "Critique-studies in Contemporary Fiction in 1991"
18 citations
TL;DR: In this paper, Finnegans Wake and the Satanic Verses: Two Modem Myths of the Fall are discussed and discussed in the context of contemporary fiction and non-fiction.
Abstract: (1991). Finnegans Wake and the Satanic Verses: Two Modem Myths of the Fall. Critique: Studies in Contemporary Fiction: Vol. 32, No. 3, pp. 190-207.
12 citations
TL;DR: The Quest for Love and the Writing of Female Desire in Kathy Acker's Don Quixote as mentioned in this paper is a classic example of a novel with a female protagonist in love with a man.
Abstract: (1991). The Quest for Love and the Writing of Female Desire in Kathy Acker's Don Quixote. Critique: Studies in Contemporary Fiction: Vol. 32, No. 3, pp. 149-168.
10 citations
TL;DR: In this paper, Pynchon's Oedipa Maas and the Dialectics of Reading are discussed in the context of contemporary fiction, focusing on the behind the Hieroglyphic Street.
Abstract: (1991). “Behind the Hieroglyphic Streets”: Pynchon's Oedipa Maas and the Dialectics of Reading. Critique: Studies in Contemporary Fiction: Vol. 33, No. 1, pp. 63-77.
9 citations
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TL;DR: In this article, Naipaul's "An Area of Darkness" is described as a "race and the figures of history" where race and the figure of history are represented by an area of darkness.
Abstract: (1991). Race and the Figures of History M Naipaul's an Area of Darkness. Critique: Studies in Contemporary Fiction: Vol. 32, No. 4, pp. 235-257.
3 citations
2 citations
TL;DR: The Autobiographies of Three Fiction Writers as discussed by the authors is a collection of three fiction writers who discuss why not ten the truth in their own stories, i.e., "Why Not Ten the Truth?"
Abstract: (1991). “Why Not Ten the Truth?”: The Autobiographies of Three Fiction Writers. Critique: Studies in Contemporary Fiction: Vol. 32, No. 4, pp. 211-223.
2 citations