Showing papers in "Critique-studies in Contemporary Fiction in 1995"
TL;DR: In this paper, Auster's The New York Trilogy Critique: Studies in Contemporary Fiction: Vol 37, No 1, pp 17-33, 1995] Mirrors of Madness.
Abstract: (1995) Mirrors of Madness: Paul Auster's The New York Trilogy Critique: Studies in Contemporary Fiction: Vol 37, No 1, pp 17-33
25 citations
TL;DR: In this paper, the authors discuss how to tell a true war story using metafiction in The Things They Carried, a novel about a group of men who carry a war story.
Abstract: (1995). “How to Tell a True War Story”: Metafiction in The Things They Carried. Critique: Studies in Contemporary Fiction: Vol. 36, No. 4, pp. 249-257.
18 citations
TL;DR: Byatt's Self-Mirroring Art as discussed by the authors is a self-mirroring art work that is based on Byatt's self-reflecting art and self-critique.
Abstract: (1995). A. S. Byatt's Self-Mirroring Art. Critique: Studies in Contemporary Fiction: Vol. 36, No. 2, pp. 83-95.
14 citations
TL;DR: The University of Louisville, Louisville, Kentucky as discussed by the authors vice provost for Graduate Affairs, October 2011 to September 2011, was the current dean of the School of Interdisciplinary and Graduate Studies (SIGGS).
Abstract: University of Louisville, Louisville, KY Vice Provost for Graduate Affairs, October 2011—present Dean, School of Interdisciplinary and Graduate Studies, Sept. 2009-present Associate Provost for Faculty Personnel, January 2009-October 2011 Associate Dean for Academic Affairs, School of Interdisciplinary and Graduate Studies, October 2008-2009 Professor of English, 2005-present Associate Professor of English, 1993-2005 Assistant Professor of English, 1987-1993
10 citations
TL;DR: In this article, Malamud, Vonnegut, and Pynchon discuss the Apocalypse, Evolution, and Entropy in their own work and the work of other authors.
Abstract: (1995) Surviving the End: Apocalypse, Evolution, and Entropy in Bernard Malamud, Kurt Vonnegut, and Thomas Pynchon Critique: Studies in Contemporary Fiction: Vol 36, No 3, pp 163-175
9 citations
TL;DR: In this article, Mixed Genres and the Logic of Slavery in Toni Morrison's Beloved are discussed. But they do not discuss the relationship between genres and the logic of slavery in the book.
Abstract: (1995). Mixed Genres and the Logic of Slavery in Toni Morrison's Beloved. Critique: Studies in Contemporary Fiction: Vol. 36, No. 2, pp. 96-106.
9 citations
7 citations
7 citations
TL;DR: In this paper, Narrative and Narrated Homicides in Martin Amis's Other People and London Fields are discussed. But the focus is on the authorship of the authors.
Abstract: (1995). Narrative and Narrated Homicides in Martin Amis's Other People and London Fields. Critique: Studies in Contemporary Fiction: Vol. 37, No. 1, pp. 3-15.
6 citations
TL;DR: In this article, the authors discuss death and love in Iris Murdoch's The Time of the Angels and compare it with other works of contemporary fiction, such as The Odyssey and The Odyssey.
Abstract: (1995). Death and Love in Iris Murdoch's The Time of the Angels. Critique: Studies in Contemporary Fiction: Vol. 36, No. 2, pp. 130-144.
3 citations
TL;DR: In this paper, Chase-Riboud's Echo of Lions is described as representing the "representing the Constitution" of America in the context of contemporary fiction, and it is discussed in detail.
Abstract: (1995). Representing the Constitution: Embodiments of America in Barbara Chase-Riboud's Echo of Lions. Critique: Studies in Contemporary Fiction: Vol. 36, No. 4, pp. 258-280.
TL;DR: The Waiting for the Rain Critique: Studies in Contemporary Fiction: Vol 36, No 3, Vol 3, pp 195-209 as mentioned in this paper, is a collection of essays about waiting for the rain.
Abstract: (1995) No other Tale to Tell: “Sonny's Blues” and Waiting for the Rain Critique: Studies in Contemporary Fiction: Vol 36, No 3, pp 195-209
TL;DR: In this article, Harriette Simpson Arnow's Authorial Testimony: Toward a Reading of The Dollmaker is presented as a way of expressing her feelings about the Dollmaker.
Abstract: (1995). Harriette Simpson Arnow's Authorial Testimony: Toward a Reading of The Dollmaker. Critique: Studies in Contemporary Fiction: Vol. 36, No. 3, pp. 211-223.
TL;DR: The Foreigners in Anne Tyler's Saint Maybe this article have been analyzed in the context of literature studies in contemporary fiction, and they have been compared to the Foreigner in this article.
Abstract: (1995). The Foreigners in Anne Tyler's Saint Maybe. Critique: Studies in Contemporary Fiction: Vol. 37, No. 1, pp. 71-79.
TL;DR: The New Historicist Creepers of Vineland as mentioned in this paper is a collection of short stories written in the 1990s and early 2000s, with a focus on historical fiction. [2]
Abstract: (1995). The New Historicist Creepers of Vineland. Critique: Studies in Contemporary Fiction: Vol. 36, No. 4, pp. 237-248.
TL;DR: The authors re-creating Cassandra and Anna Karenina: Unheard Voices in Christa Wolf's Cassandra and Aritha van Herk's Places Far From Ellesmere, 1995.
Abstract: (1995). Re-creating Cassandra and Anna Karenina: Unheard Voices in Christa Wolf's Cassandra and Aritha van Herk's Places Far From Ellesmere. Critique: Studies in Contemporary Fiction: Vol. 36, No. 4, pp. 227-236.
TL;DR: Munro as discussed by the authors, Alice Munro: Hard-Luck Stories or There is No Sexual Relation, Vol. 36, No. 2, pp. 121-129.
Abstract: (1995). Alice Munro: Hard-Luck Stories or There is No Sexual Relation. Critique: Studies in Contemporary Fiction: Vol. 36, No. 2, pp. 121-129.