Showing papers in "Hispanic Review in 1986"
30 citations
16 citations
TL;DR: The Selected Works of Ramon Llull (1232-1316) (Two volumes as discussed by the authors ) is a collection of essays written by Llull, published in the early 1990s.
Abstract: The Description for this book, Selected Works of Ramon Llull (1232-1316): (Two volumes), will be forthcoming.
14 citations
11 citations
TL;DR: In this paper, the author studied the meaning of a single image in the earliest known version of the poem and found that it was more ambiguous and far richer than has previously been supposed.
Abstract: en la esteril regi6n de nuestros afios (Villamediana) to N the notes that follow, the sonnet "Mire los mu, ros de la patria mia" is studied in the context of Quevedo's moral thought, and in the light of some of its English translations. I hope to show that I several of its images are more ambiguous and far richer than has previously been supposed. It ?' has often been observed that this sonnet focuses the reader's attention first on large, distant entities ("muros," "patria") and then on small, immediate ones ("casa," "espada"). In analyzing the poem, I shall do the opposite. Let us begin by elucidating the meaning of a single image in the earliest known version of the poem.
10 citations
TL;DR: The authors focused on three basic questions: (1) Why is the Spanish-American novel nearly devoid of memorable female protagonists? (2) How do the novels portray their female characters? and (3) Why do even those novels whose titles promise female protagonists ultimately focus on other topics and characters?
Abstract: This study focuses on three basic questions: (1) Why is the Spanish-American novel nearly devoid of memorable female protagonists? (2) How do the novels portray their female characters? and (3) Why do even those novels whose titles promise female protagonists ultimately focus on other topics and characters?
9 citations
9 citations
TL;DR: The book series Beihefte zur Zeitschrift fur romanische philologie, founded by Gustav Groeber in 1905, is among the most renowned publications in Romance Studies.
Abstract: The book series Beihefte zur Zeitschrift fur romanische Philologie, founded by Gustav Groeber in 1905, is among the most renowned publications in Romance Studies It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages The editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English Each collected volume should be as uniform as possible in its contents and in the choice of languages
TL;DR: In this paper, the authors present a new book enPDFd medieval manuscripts in the library of the hispanic society of america to read, which they call "Let's Read".
Abstract: Let's read! We will often find out this sentence everywhere. When still being a kid, mom used to order us to always read, so did the teacher. Some books are fully read in a week and we need the obligation to support reading. What about now? Do you still love reading? Is reading only for you who have obligation? Absolutely not! We here offer you a new book enPDFd medieval manuscripts in the library of the hispanic society of america to read.
TL;DR: Alemin and Alemin this article conclude that the sentimiento predominante entre ellos-el que los hacia mirarse con cauteloso recelo, en lugar de fraternal afecto-era la envidia.
Abstract: con un Mateo Alemin, pongamos por caso, luce * oss6lo como excepci6n en un panorama donde, las D QW mas veces, los autores parecen sentirse separados-no unidos-por su comuin dedicaci6n al quehacer literario Nos intriga-y tambien nos entristece-ver que dos autores tan excelsos como G6ngora y Quevedo desperdiciaron sus dotes poeticas dedicandose versos soeces, o notar c6mo varios poetas destacados se unieron para mofarse de un colega contrahecho, como lo era Ruiz de Alarc6n Otro de los espectaculos mas tristes y sorprendentes consiste en la comprobaci6n de la aparente soledad y aislamiento en que vivi6 uno de los genios mas humanos y compasivos de aquel siglo aureo-Miguel de Cervantes Observando este trato entre unos y otros escritores, Ilegamos a la abrumadora conclusi6n de que el sentimiento predominante entre ellos-el que los hacia mirarse con cauteloso recelo, en lugar de fraternal afecto-era la envidia En vez de considerarse como companieros en una bfisqueda compartida (la de la belleza), muchos de ellos parecen haberse mirado como competidores para un mismo fin: el aplauso de los contemporaneos y la gloria ante la posteridad De todas las rivalidades de aquel siglo, sin duda la mis sonada, y la mejor documentada, es la que se prolong6 durante unas cuatro decadas-aproximadamente desde 1585 hasta 1625-entre dos titanes de la poesia espafiola: Lope de Vega y don Luis de G6ngora Los dos encarnan toda una serie de caracteres personales antit6-
TL;DR: Sobre los dngeles as discussed by the authors is one of the richest and most enigmatic texts to appear in Spain in a century remarkable for its poetic production and occupies a central position in Alberti's poetics and in the history of modern Spanish poetry.
Abstract: ?O~~ ? OBRE los dngeles is one of the richest and most enigmatic texts to appear in Spain in a century remarkable for its poetic production. It occupies a central position in Alberti's poetics and in the history of modern Spanish poetry. Yet despite its recognized importance, this book has received considerably less critical attention than the work of many of Alberti's contemporaries. Sobre los cngeles lies midway between Marinero en tierra (for which Alberti received the Premio Nacional de Poesia in 1925) and Consignas, the publication of which in 1933 confirmed him as Spain's foremost political poet. Alberti's dizzying career from "dehumanization" to political commitment in less than a decade is paradigmatic of his entire generation. Sobre los dngeles and surrealism in general play a fundamental role in that transition. The most cursory reading makes it apparent that Sobre los dngeles gives expression to some sort of crisis. Its violent imagery and at times tortuous syntax point to disruption and upheaval. Most critics who deal with Sobre los ingeles take Alberti's stunning gallery of angels as a "spiritual autobiography,"' viewing it variously as the poetic reflection of an existential, religious, or amorous crisis. These studies often rely heavily on the poet's lyrical autobiography, La arboleda perdida, to explain difficulties in the text