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Journal ArticleDOI

A Spirit of Resistance: Sioux, Xhosa, and Maori Responses to Western Dominance, 1840-1920

James O. Gump
- 01 Feb 1997 - 
- Vol. 66, Iss: 1, pp 21-52
TLDR
Luther Standing Bear, a Lakotal Sioux, was born in the 1860s during the year of "breaking up of camp." In Standing Bear's lifetime he witnessed military defeat, endured reservation life, graduated from the Carlisle Indian School, performed in Buffalo Bill's Wild West shows, and acted in Hollywood as mentioned in this paper.
Abstract
Luther Standing Bear, a Lakotal Sioux, was born in the 1860s during the year of "breaking up of camp." In Standing Bear's lifetime he witnessed military defeat, endured reservation life, graduated from the Carlisle Indian School, performed in Buffalo Bill's Wild West shows, and acted in Hollywood. Late in life Standing Bear, the consummate "acculturated" Indian, observed that after multitudinous "readjustments to fit the white man's mode of existence," he remained an "incurable hostile."2 For Standing Bear's folk, the Lakota Sioux of South Dakota, as well as peoples like the Xhosa in the eastern Cape of South Africa and the Maori of New Zealand, the wars of the nineteenth century were always accompanied by a contest over

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Book

Indigenous Peoples of the British Dominions and the First World War

TL;DR: In this article, the authors discuss the history of military pragmatism in the home front, including colonization and the settler state, racial constructs and martial theories, as well as the early precedents of military pragmaticism.
Dissertation

Nga Puni Whakapiri : indigenous struggle and genetic engineering

TL;DR: In this paper, a case study examining the struggle of Maori against the biotechnology industry and genetic engineering is presented, where members of the Nga Puni Whakapiri movement are interviewed to examine their actions, strategies and philosophies that underpin their struggle.
Journal ArticleDOI

Visual Argument in Intercultural Contexts: Perspectives on Folk/Traditional Art

TL;DR: In this paper, the authors examine folk art as a unique framework for visual argument, especially in intercultural contexts, and examine the specific qualities of visual argument as proposed by Birdsell and Groarke (1996).
Book ChapterDOI

The Meaning of Belonging: Race and the Making of South Africa

TL;DR: In this article, the early processes of the colonial encounter and the formation of proto-states by both settlers and indigenous populations are explored, and how movements of people and material began to engender nascent identity and state building.
References
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Book

Ethnography and the historical imagination

TL;DR: Comaroff and Comaroff as mentioned in this paper explored some of the fundamental questions of social science, delving into the nature of history and human agency, culture and consciousness, ritual and representation.
Book

Weapons of the Weak

Book

The Invention of Culture

Roy Wagner
TL;DR: Wagner argues that culture is not a given that shapes the lives of the people who share it, but rather, it is people who shape their culture by constantly manipulating conventional symbols taken from a variety of everchanging codes to create new meanings as mentioned in this paper.
Book

The rise and fall of the South African peasantry

Colin Bundy
TL;DR: The first edition of this book was hailed as a major reinterpretation of South African history and was criticised the prevailing view that African agriculture was primitive or backward, and attacked the notion that poverty and lack of development were a result of 'traditionalism' as discussed by the authors.